The Analysis Of Han Opera’s Footwork And The Study Of Dancing Practice

In the early days of its creation,the footwork of Chinese classical dance mainly adopted and borrowed some stylized footwork content from opera and martial arts.With the continuous improvement of the modern development of Chinese classical dance,it is necessary to explore more footwork vocabulary rich in the characteristics of Chinese classical dance based on the characteristics of national characteristics and lower limb movements.Based on the development principle of referring to martial arts and opera movements,further study their aesthetic and movement characteristics,and make reflections on the study of Chinese classical dance steps.Han Opera is one of the main types of Chinese opera and an excellent representative of local Chinese opera.It was born in the Han River basin of the Yangtze River,rooted in the land of Jingchu and the Jianghan Plain,and concentrated and concentrated the characteristics and essence of Jingchu culture and Han school culture;The performance form and style characteristics of Han Opera have evolved from people’s daily lives.The footwork and movements in Han Opera are important body language for shaping character images,expressing emotions,and promoting the development of the plot.In the current literature on Han Opera research,there is less research on the ontological description of Han Opera movements.Therefore,the author will explore the relationship between Han Opera and Chinese classical dance,organize and analyze the footwork and movements of Han Opera through field research,and conduct a practical study of its choreography.