"The Book of Songs" is the beginning of ancient Chinese poetry,the first collection of poetry in China,and an immortal literary work.It is also the first habitual memory of the six classics of "poetry","books","rites","changes","music",and "Spring and Autumn".It collects poems from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period,reflecting the social,political,economic,religious,philosophical,spiritual,and historical features of the Zhou Dynasty.As the tangible text of the source of Chinese civilization,"The Book of Songs" has always been respected by scholars of various dynasties,and it was known as "The Book of Songs" or "The Three Hundred Poems" in the pre Qin period.At the end of the Spring and Autumn Period,it was revised by Confucius and gradually became a Confucian classic as one of the "six arts" practiced by disciples.It was not until the Western Han Dynasty that it began to be known as the "Book of Songs" and continues to be used today.From the beginning of the assembly to the recognition of "classics",there are countless researchers from ancient to modern times.Regarding the research achievements of the "Book of Songs",the ancient people’s research path of "poetry" was mainly from the literary "skills" to the "practical and practical" research thinking of the classics.In modern times,research on "poetry" has not only inherited the Confucian tradition and literary "skills" of "poetry" in Sinology and Song Studies,but also focused on the discourse system of Western "mythology" and Western "literature",gradually losing the "practical" function of "poetry" as a Confucian study,which is particularly evident in the study of "eulogy" and "elegance".In this context,To carry out the study of "elegance" aesthetic culture.The study of aesthetic culture implied by "elegance" is mainly discussed from four aspects:The first chapter of the thesis deals with the beauty of natural images.The first chapter starts with the natural objects in "Ya" and mainly writes about the beauty of natural objects in the poem "Ya".Tell about the natural beauty characteristics they possess,and after analyzing the appearance,further explore the aesthetic desire and awareness behind these images.The second chapter describes the beauty of artifacts.Firstly,the background of the transformation of objects from practicality to aesthetics by the Zhou people is described.This is not just an instinctive behavior that continues life,but rather brings life into aesthetics.Therefore,the activities from natural objects to social objects can be interpreted as aesthetic culture.Secondly,it describes the beauty of the appearance of the artifacts and explains the aesthetic taste of the Zhou people in these artifacts.Finally,I will study the spiritual connotation of these items from the perspective of "elegance" culture,and analyze the normative system thought of the Zhou people contained therein.The third chapter of the thesis is about the beauty of etiquette and music.Starting from the rationality and virtue covered in "Ya",this article expounds the process of Zhou people from tangible beauty to spiritual beauty.This spiritual beauty is reflected in the aesthetic process from kinship to social ethics.The ritual music and dance used by different occasions and different groups in the pre Qin period were also different.On the one hand,this difference has established the traditional Chinese culture of etiquette and music,and on the other hand,it has initially formed the unique artistic aesthetic characteristics of China.The fourth chapter describes the realization of "elegance".Explain the "elegant" culture established by the Zhou people in the process of social development in "Ya",and the aesthetic education role of "elegant" culture in various aspects of people’s life,aesthetics,and spirit at that time.Finally,it discusses that under the aesthetic edification and education of the "elegant" culture,it has promoted the orderly and harmonious development of the family,society,and country.The writing goal of this article is to explore the aesthetic culture in "Ya" from an aesthetic perspective,that is,to reveal the inherent aesthetic concepts and ideals of traditional Chinese "Ya Zheng" culture through the investigation of the "Ya Zheng" culture in the Book of Songs,with the ultimate goal of educating the world.At the same time,I also hope to apply the aesthetic spirit and ethical value contained in the traditional "elegant and upright" culture to our contemporary aesthetic education,and better mold the humanistic spirit and cultural character of the Chinese nation.This is the direction and expected goal of this article. |