| Huang Binhong,a master of Chinese Painting,was inspired by a conversation with a European friend about the layout of the painting,and put forwards that the “Triangle Gu”(an irregular triangle)is the best painting model.The “Gu” was first used as a ritual vessel for wine with a curved profile constricted at the waist.Later,it gradually developed into a painted pottery pattern in the Neolithic period,which is characterized by diverse shapes and stronger visual aesthetic feeling,so it was finally borrowed into the layout modeling of Chinese painting.We call this painting model “triangle gu”.Huang Binhong’s idea of “Qi er Buqi” is the epitome of the symbiosis between heaven and earth,which is both regular and irregular.“Qi”is embodied in the unity of all things in nature,while “Buqi” refers to the difference between natural and objective objects and is a universal form of natural growth.There are three connotations in applying the artistic aesthetic of the “Triangle Gu” to painting.One refers to the “Triangle Gu” style of composition and layout,the second refers to the “Tai Chi” style of brushwork,and the third refers to the rhythmic beauty of the “twists and turns” of the lines.The first chapter expounds the origin and image of “Qi er Buqi”,and analyzes how the beauty of “triangle gu” is used in the painting based on the bronze gu.The second chapter introduces Huang Binhong’s study of bronze inscriptions,seal script,and his study of the brushwork strokes of his predecessors contributed to the formation of the artistic aesthetic of“Qi er Buqi”.The third chapter mainly analyzes te specific application of the artistic aesthetics of “Qi er Buqi” in Huang Binhong ’s paintings,such as the brushwork strokes of “twists and turns”,“Zhe chaigu” and “Wu louhen”,as well as the differences in objects,layout and modeling of “Gu triangle”.In addition,it also describes the “inner beauty” of the picture derived from pen,line and ink,which reflected the charm of atmosphere and the elegance of the painter’s personality.The last chapter focuses on the author’s thinking and inspiration during the creation process through him deep understanding of the artistic aesthetics of “Qi er Buqi”.Specifically,artists should to achieve the fascinating charm of the painting based on the basic brush line modeling and its variations. |
