The Aesthetic Characteristics Of The "line Modeling" Language Of Landscape Painting And Its Enlightenment To Creation

Chinese painting lines of development always is to pay attention to shape freehand, borrow the personal. Before the Tang Dynasty the line always wandering in the" high ancient hairspring." range, even if is such, still also is based on image description and expression of the subjective feelings. To Wu Daozi, painting lines into the calligraphy of the law, beginning with the line pressure variation and the radius of the twists and turns, pay attention to " Lipi stipple, see missing, t Zhou Yi week", greatly enriched the linear language, enhances the manifestation of the lines. Later in the Li Gong scales, Liang Kai, Ren Bonian’s efforts, the expressiveness of lines in the constantly changing development, then to the contemporary, we in the absorption of foreign culture at the same time also must be based on the national tradition.Traditional Chinese painting lines languages also contain is worn tremendous potential to be diligently study and research, with the painting idea change, lines of language will get further development, so the research will give a painter to the profound inspiration. Chinese painting needs innovation, can not open innovation. The traditional modeling techniques, we have to adhere to the traditional on the basis of innovation and development of attitude, constantly into our new age philosophy.