A Study Of The "Song Dynasty" Of The Three Major CiHua Of The Late Qing Dynasty

"Bai Yuzhai CiHua","Hui Feng word Ci Hua" and "Ren Jian Ci Hua" known as "late Qing three Ci Hua",they are in the last period of the development of ancient Chinese Ci,It not only covers the basic achievements of ci poetry in the Qing Dynasty,but also is the crystallization of the study of ci poetry in the past dynasties.Therefore,it is of great significance to study the three major categories of ci science as a whole.Song Ci study is a special study of the study of Song Ci and its research history.The "Song Ci study" of the three major words of the late Qing Dynasty is the study of the Song Ci and its history of research.The three poems of the late Qing Dynasty are the masters of the past dynasties.The "Song Ci learning" of the three poems is actually the highest achievement of the Song Ci learning.This paper is discussed in four chapters:The first chapter discusses the overall Song Ci view of the late Qing Dynasty,and discusses the influence on the construction of the three major Ci Hua.The three poems played an important role in the final establishment of the core position of Song Ci in the history of Ci literature.With the Song Dynasty as the core of the history of ci,the three words form different views of ci history,namely Chen Tingzhuo’s view of ci history,Wang Guowei’s view of ci and ci history,and Kuang Zhou Yi’s view of ci history between the two.At the same time,it analyzes the ambivalence of the three major words in establishing the core position of Song Ci.The second chapter discusses the choice and acceptance of the heritage of the two Song Ci schools and their understanding of the style and style of Song Ci."The dispute between the Two Song Dynasties" is an important topic in the history of Ci learning in the Qing Dynasty,and the three major words of the late Qing Dynasty have ended.The three major Ci’s views of the two Song dynasties are different.Chen Tingzhuo and Kuang Zhou Yi believed that the two Song dynasties should not be ignored,while Wang Guowei loved the Northern Song Ci alone.He looked at the two Song Ci based on the modern vision.The understanding of the style and style of Song Ci is reflected in "the distinction of poetry" and "the dispute of true colors",and their own unique views.Chen Tingzhuo believes that "poetry has the same style and different uses",and the kingdom maintains the view that "poetry is interlinked",while Kuang Zhou Yi mostly keeps "poetry is different".As for the "true nature" of Ci,the three words are based on the most rich and inclusive characteristics of Song Ci,breaking through and surpassing the previous "true nature" and "not true nature" theories of the struggle.The third chapter discusses the relationship between the acceptance of Song Ci and the aesthetic ontology of the three major Ci Hua.The three Ci and Ci of the late Qing Dynasty surpassed the predecessors in that they constructed their own aesthetic value,which was respectively based on "melancholy" based on "Bai Zhai Ci Hua","Huifeng Ci Hua" based on "heart of Ci",and "Ren Jian Ci" based on "realm".And this has the meaning of "outstanding tree,the more repair".They are mainly formed based on the recognition of the artistic experience of Song Ci.They have some similarities,but they are different,reflecting their different cognition and observation of the artistic experience of Song Ci.The fourth chapter discusses the practice of song criticism and the establishment of the criticism paradigm of Song Ci.Chen Tingchao,Kuang Zhou Yi and Wang Guowei at the end of the history of classical Ci have the most complete view of the history of Ci.Therefore,the three Ci Hua have the largest number of poems and the most abundant poems than the past dynasties.Three song Ci with different aesthetic standards of criticism practice,form three different criticism paradigms.This is reflected both in the content...