| As one of the traditional patterns in China,the pattern of group flowers is widely used in the figure paintings of the Tang Dynasty.The pattern is mostly presented on the clothes of the figures,which has auspicious meaning and decoration.Because there are many types and patterns of figure painting and group pattern,the boundaries are fuzzy,so this study first defines them.The figure paintings mentioned in the study include figure paintings on silk and paper,tomb murals,and cave murals.The flower pattern refers to the same or more symmetrical or rotating circular decorative patterns,the content can be animals,plants,etc.In this paper,the development of the pattern and the reasons for its formation are sorted out.In the existing research,the evolution of the group flower is more detailed,so the analysis and comparison of the group flower pattern in the silk paintings,the tomb murals of the figures in the Tang Dynasty is the focus of this paper,and the elements,structure,meaning,formal language features of the group flower pattern appear in the figure painting are compared and analyzed.At the same time,it also studies the aesthetic characteristics of the group flower pattern in the figure painting of the Tang Dynasty and its presentation in the figure painting.The national connotation of Tuanhua pattern is deeply analyzed,including the artistic expression characteristics of pattern,the "harmony" and "harmony" in pattern and the interpretation of "circle".As a traditional pattern,Tuanhua pattern not only confirms the historical changes,but also carries profound historical culture.By studying the national connotation,universal adaptability and auspicious meaning of the pattern,the author makes the study of the pattern more meaningful. |