Research On Flower-and-Bird Painting Creation In The Cultural Context Of Enclosure In Gannan

The enclosed house in southern Jiangxi is one of the representative Hakka residential buildings in southern Jiangxi.After years of baptism,the content of images and the rich artistic expressions in the interior decoration of the enclosure make it unique in cultural connotation and visual expression.Up to now,the papers and monographs related to the enclosure are mostly focused on its architectural structure and historical research,and less on its artistic value and cultural heritage.In this paper,the combination of cultural context and flower-and-bird painting of enclosed houses in southern Jiangxi is taken as the research object,and the spatial structure characteristics of enclosed houses in southern Jiangxi are selected as the research breakthrough point.By using the research methods of iconology and literature analysis,the humanistic connotation and artistic characteristics of enclosed houses in southern Jiangxi are deeply studied,so as to better combine the decorative characteristics of enclosed houses in southern Jiangxi with flower-and-bird painting in China.Firstly,the author expounds the spatial composition characteristics of Gannan enclosure and the classification of flower-and-bird patterns in decoration,and deeply analyzes the spatial artistic conception,decoration types,decorative art characteristics and decorative expression techniques of Gannan enclosure.Explore and reveal the overall pattern style and connotation of Gannan enclosed houses,so that the audience can have a clearer understanding of the decorative art of Gannan Hakka traditional enclosed houses.Secondly,through the analysis of Gannan cultural context and China flower-and-bird painting,this paper tries to create from the aspects of theme content,flat modeling and architectural background,and establishes the feasibility of combining the two.Finally,through the specific analysis of the patterns in the decoration of Gannan enclosure,combined with the cultural connotation of Gannan enclosure patterns,the personalized creative practice of schema patterns in modern flower-and-bird paintings in the context of Gannan enclosure culture is carried out from the aspects of composition and coloring expression,so as to explore the wonderful artistic expression of Gannan enclosure culture and sum up the creative experience in time.