Yimeng Mountain Ditty","Singing Yimeng Mountain Again" and "Yimeng Mountain,Forever My Father and Mother" are all taken from the Linyi region of Shandong Province,China,and share a similar folk song style.However,because they were composed at different times,they reflect different connotations of the songs.The artistic expression of the songs also differs.This thesis focuses on the musical ontology and singing practice of three songs with the theme of "Yimeng",in order to discover the characteristics of "Yimeng Mountain Ditty" as a musical gene in the newly composed songs from the level of musical ontology.Finally,by exploring the background and connotation of the three songs,we will sublimate the ideas of the paper and deeply understand the meaning of the times and the national spirit reflected in the songs of "Yimeng".The main part of this article consists of four parts.The first part contains the analysis of the song structure and lyrics of the three songs with the theme of "Yimeng",and provides a deeper explanation of their structure and connotation from the perspective of the song score.The second part is a comparative analysis of the versions of the three songs,in which two singers’ versions of each work are selected for analysis and comparison.The third part compares the three songs from the three dimensions of singing through the author’s personal experience on stage.In the fourth part,the significance of the "Yimeng" songs and the inheritance value of the "Yimeng spirit" are summarized. |