Research On The Poetic Expression Of Domestic Cinematography

Film has become an indispensable cultural phenomenon in today’s society.With its unique artistic form,it combines the artistic genre of "poetic film" with media,bringing a new visual experience and content expression to the audience.The excellent traditional culture of China pays great attention to the poetry and charm of art.As the artistic spirit of traditional culture,poetry has become an extension of modern culture and art."Poeticization" is a film that examines life and reality from the perspective of a poet.It originates from the "poetic film" genre of the former Soviet Union and is closely related to the European avantgarde film movement.These film works are committed to exploring the function of spiritual narration in movies,pursuing the correspondence between natural images and the psychological and spiritual states of characters,and expressing the psychological and spiritual states of characters through new photography techniques.The development of Chinese cinema has revealed from the early works of directors such as Fei Mu,Ling Zifeng,and Xie Tieli that traditional Chinese culture uses objects to describe people,expresses emotions through scenery,and is rich in poetic image style.With the continuous advancement of internationalization and media reform,the form and content of Chinese films have undergone tremendous changes.The dominance of the market economy has become the core of film production,and art films have been forced to withdraw from the stage.The poetic flavor of films has been suppressed by modernity.In recent years,the film works created by the sixth generation director Jia Zhangke and new directors Bi Gan,Yang Chao,Hu Bo,and Zhang Dalei have all revealed a search for poetic meaning in life,deliberately weakening the plot,and using a strong poetic language to "watch" the development of narrative.The characters in the film seem to be given the right to directly communicate with the audience’s hearts and emotions,This poetic expression of the film’s emotions and atmosphere shows a distinct "poetic" temperament.The poetic creation of photographic modeling has added new language and connotation to film art,especially in the digital era,which has become an important component of the competitiveness of the film industry.This paper is mainly divided into three parts,mainly including the first part of the introduction,the second part of the theoretical explanation,and the third part of personal works.The first part is an introduction,mainly explaining the development process and summary of the research on poetic expression of domestic film photography modeling,summarizing existing literature,and proposing research issues and combing research ideas.The second part of the theoretical exposition includes the first,second,and third chapters of the text,in which the first chapter discusses the evolution of poetic photography in domestic films,as well as the changes in the media of photography;The second chapter is about the poetic language of domestic film photography modeling,discussing the poetic visual modeling and lens language of domestic films;The third chapter mainly discusses the artistic style source and expression of poetic photography modeling in domestic films.The third part is the elaboration and analysis of personal works in Chapter 4.Combined with the filmed film works,it discusses how to demonstrate the use of poetic expression in the film works through the photographic modeling and visual expression of the work "Wild Fire and Spring Breeze",attracting audience attention to the poetic expression in visual culture and the practical creation of poetic photography modeling in domestic films.