| In the first half of the 20th century,in the context of "Western painting spreading to the East",the artists studying aboard in France and Japan actively absorbed Western art concepts and skills in the transformation period of modern Chinese oil painting,and introduced the concepts and techniques of the Fauvism into China through culture introduction and artistic creation,which provided a new language reference for the "fusion of Chinese and Western" program of contemporary landscape oil painting creation.In this paper,the author discusses the creation concept and language features of the Fauvism through the analysis of the application forms of artistic stylistics,and reveals the characteristics of the Western avant-garde art subverting the tradition,moving to the plane and stressing on emotional expression.Based on the sinicized and localized evolution of the painting language of the Fauvism,the text is intended to explore the enlightenment and influence of the expressive language of the Fauvism on my landscape oil painting creation.While the Fauvism painting receives the complex nourishment of oriental art,it approaches the traditional Chinese art kernel in terms of the aesthetic tendency.Therefore,I subjectively transplant and draw on the elements of color,line and plane composition of the Fauvism in the creation of landscape oil painting,combining the expressive language of the Fauvism with the freehand language of traditional Chinese painting.In addition,rooting in the soil of national culture in China,I try to depict the character pursuit of "Shixiang" and "Caiyun" of the expressive landscape oil painting.In the creation of landscape oil painting,I selectively transplant and draw on the expressive language of the Fauvism,I integrate my personal subjective emotional expression,give full play to the distinguishing characteristics of the materials used for the oil painting media,try to explore the fusion of Chinese and western of modern landscape oil painting,and take highly of valuing both tradition and innovation,and the time-space connection between modernity and nationality. |