A Study On The Evolution Of The Style Of Du Hongnian’s Prints

T The history of the development and construction of Heilongjiang Reclamation Area is a history of entrepreneurship that can be sung and wept,and it is also a heroic epic that forges ahead.In the late fifties of the twentieth century,in response to the call,principles,and policies of the state and party organizations,hundreds of thousands of demobilized and demobilized officers and soldiers,and youth groups composed of border aid teams gathered from all parts of the motherland on the vast and vigorous black land of the Great Northern Wilderness to gradually open up the wilderness.Taking Du Hongnian’s printmaking works as an example,this paper analyzes the changes in printmaking style of Mr.Du Hongnian from 1958 to 1998,and divides Mr.Du’s printmaking style changes into four stages,namely: the first stage from 1958 to 1961 emphasizes the exploration period of objective life reflection,and the second stage from 1962 to 1977: the leap period of the integration of subjectivity and objectivity,The third stage,1977-1981,pursues the condensation period of profound themes and artistic beauty,and the fourth stage,the integration period of symbolic and re-exploration of works from 1982 to 1998,and takes the printmaking works created by Mr.Du Hong in each period as an example,analyzes in detail the characteristics and changes of the works in each period.On the one hand,the research on the evolution of the style of Du Hongnian’s prints is to sort,summarize and sort out the works of Du Hong’s old artists,study the evolution and changes of their works,the artistic characteristics of works in different periods,and explore the trend of artistic style changes.It is also a supplement and improvement of the data for the development and changes of the art genre of printmaking in the Great Northern Wilderness,and promotes the improvement and summary of the theoretical knowledge framework of the Great Northern Wilderness printmaking.Among the hundreds of thousands of demobilized officers and soldiers,the artists who choose to participate in the construction of the art style system of the Beidahuang printmaking art system are a minority,and among these few artists,there are even fewer of them,Du Hong’s old artist,as the founder,pioneer and leader of the Beidahuang printmaking school,the "Beidahuang printmaking art school" built together with Chao Feng,Zhang Zhenqi and others,far exceeds the value of his works themselves..