Research On Fan Tchunpi’s Art From The Perspective Of Chinese Art Theory Of "Virtuality And Reality"

In the history of modern Chinese art,Fan Tchunpi,known as one of the "six new female painters in the Republic of China",is an important figure who cannot be ignored.Fan Tchunpi was the first Chinese female student admitted to the Ecole Nationale Superieure des Beaux Arts in Paris,and was a pioneer in the fusion of Chinese and Western painting.She devoted her life to the creation of painting art,focusing on the cross integration of the media materials and painting techniques of Western art with the spirit of "lively spirit and charm" developed by Chinese art.so as to show the unique combination of Chinese and Western new art form during the Republic of China.The aesthetic form of "reality and virtuality" reflected in her painting works was born from an important theoretical category in the field of classical Chinese aesthetics and art--"reality and virtuality",which has strong flexibility and intersectionality,and is cross-integrated with a variety of traditional Chinese art theories.After combing and finding,in the traditional Chinese painting theory,there are also a lot of categories based on the "imaginary and real" thought root and cross derived,such as "lively spirit and charm","vivid portrayal","scene blending" and so on.After analyzing Fan Tchunpi’s painting art works,it is found that there is something in common with her painting art language.In this regard,this thesis interprets Fan Tchunpi’s artistic creation from the perspective of traditional Chinese aesthetics and the theory of "reality and virtuality" in the artistic context.To explore the interpretation and analysis of Fan Tchunpi’s painting art in the perspective of the artistic and ideological value,and demonstrate through the theoretical method of "reality" to study the case art in contemporary art enlightenment.The first chapter of this thesis mainly starts with the concept theory of "virtuality and reality",introduces the theoretical overview of "virtuality and reality",and leads to the theory categories which are closely related to "virtuality and reality" in the art thought of Chinese painting.The second chapter analyzes the subjective and objective causes of Fan Tchunpi’s painting style from her family background,cultural accomplishment and art learning experience.The third chapter explains Fan Tchunpi’s paintings and artistic styles in different historical periods by means of time line.Among them,the first stage is the 1920 s when Fan Tchunpi went to France to study in Paris;the second stage is the 1930 s and 1940 s when Fan Tchunpi created Chinese and Western fusion painting after contacting Lingnan School of Painting in Guangzhou;the third stage is the Zen Pure heart painting style created by Fan Tchunpi in the United States in the 1950 s.In the 1970 s,Fan Tchunpi returned to China again after the prominent painting style of ink dizzy dyeing is the fourth stage.In order to show how Fan Tchunpi’s life in different periods of the formation of different painting styles and artistic language to reflect the aesthetic characteristics of "virtuality and reality";The fourth chapter further analyzes Fan Tchunpi’s painting form language,enumerates and analyzes her representative painting works that embody the principle of "virtuality and reality",interprets and analyzes her picture language from the aspects of composition,line,color,brushwork,etc.,in order to demonstrate the connection between Fan Tchunpi’s painting practice and the painting theory of "virtuality and reality".The fifth chapter summarizes the inspiration of Fan Tchunpi’s artistic creation to the painting art and its ideological and cultural value from the overall research ideas of the previous four chapters,and demonstrates the rationality and compatibility of the theory of "virtuality and reality" used to interpret Fan Tchunpi’s painting art as one of the traditional Chinese artistic thoughts.It is proved that the research of Fan Tchunpi’s painting art with the thought of "virtuality and reality" can not only explore her artistic value from a new perspective,but also provide a clue for the case analysis of contemporary art combining theory with practice.