Shangdang Bangzi Tone Change And Fusion

Shangdang Bangzi,as one of the four pillars of local operas in Shanxi Province,was listed in the first batch of Intangible Cultural Heritage by the state in 2006.With a long history and a long history,it has been flourishing on the stage of Chinese opera.Especially in today’s new era,people’s love for opera art has made various local operas come alive again on the stage.When Chinese opera began to flourish,Shangdang Wooden Clappers also broke out of the stage of history.In the course of its continuous development and evolution,the Wooden Clappers of Shangdang became more mature through the influence of historical changes,geographical and cultural environment,and the long-term accumulation through the absorption of local opera culture.What distinguishes Shangdang Wooden Clappers from other Wooden Clappers systems is its unique five kinds of tone art.It also makes us more interested in the formation of the tone in Shangdang Bangzi.In this paper,the five major Clappers of the Upper Party Wooden Clappers are studied,the evolution of the five major clappers is deeply explored through the emergence and historical development of the clappers,and the characteristics and introduction of the different clappers are analyzed and discussed,and the law of the change and fusion of the Upper Party Wooden Clappers is analyzed.This paper is divided into six parts: the first part is mainly about the development of Shangdang Wooden Clappers,and the composition of the main tone and auxiliary tone;The second part is an analysis of the ecological factors of the formation of Shangdang Wooden Clappers.Through the influence of early music,Shangdang folk art and some geographical humanities,the paper explores the reasons for the formation of the unique singing style of Shangdang Wooden Clappers.The third part is about the cultivation of Kunqu Opera for Shangdang Wooden Clappers.In this chapter,the author mainly analyzes the connection between Kunqu Opera and Shangdang Wooden Clappers by looking up materials,and thinks about the characteristics of Shangdang Wooden Clappers through the history of Kunqu opera’s introduction to Shanxi as well as the characteristics of the singing structure and tunes.The fourth part is about the influence of the advent of Wooden Clappers on Shangdang Wooden Clappers,thinking about the relationship between them from the origin of Wooden Clappers,analyzing the singing structure of Wooden Clappers,and then analyzing the music of Wooden Clappers through the characteristics of the singing.The fifth part is the auxiliary function of the three kinds of sound tunes to the Shangdang Wooden Clappers.The classical fragments of each sound tune are selected to analyze the status and effect of the three kinds of sound tunes.The last part summarizes the law in the process of cavity change fusion.The sound art of Shangdang Wooden Clappers represents the characteristics and values of different periods.While carrying forward the fine traditional Chinese culture,we should also pay more attention to the local opera culture.This paper also summarizes and explores the change and fusion of Shangdang Wooden Clappers by studying some of the disappearing sound arts in Shangdang Wooden Clappers.Only by constantly exploring and thinking can we make Chinese opera culture more vigorous.