Research On The Paradigm Transformation Of "Main Melody" Film In The New Century

Since the founding of People’s Republic of China,the "Main Melody" Film have assumed the important responsibility of transmitting national ideology and mainstream values.With the growing prosperity of the country,great changes are also taking place inside the the"Main Melody" Film.As the mouthpiece of the national political discourse,the the "Main Melody" Film always take the transmission of the mainstream values of The Times as the primary goal.In the face of marketization,commercialization and entertainment in the new century,the inherent artistic paradigm of the "Main Melody" Film is no longer enough to adapt to the development of the new era.Therefore,on the basis of maintaining the construction of the national discourse system,the transformation of artistic paradigm to adapt to the new trend of The Times begins.Based on this,this paper studies the transformation of the "Main Melody" Film at this time in the new century and the subsequent changes.Through literature reading method,text research method and case analysis method,this paper combs the development process of the "Main Melody" Film from the beginning of the People’s Republic of China to before the new century,and forms a simple summary of the art paradigm of the "Main Melody" Film before the new century.And explore the transformation of the art paradigm of the new century post-the "Main Melody" Film in the study of the key elements of the transformation.This paper focuses on the development of the "Main Melody"Film and three important elements of the research,namely the new century the "Main Melody" Film aesthetic characteristics,hero shaping and narrative techniques.The first part summarizes the development and evolution of the the "Main Melody" Film,sorts out the development of the the Main Melody" Film,and summarizes its paradigm characteristics by periods,which lays a good foundation for the research in seeable future;The second part studies the transformation of the the "Main Melody" Film’s aesthetic characteristics,and summarizes the aesthetic characteristics of the the "Main Melody" Film after the new century from the national image,the focus of performance and the national spirit.The third part analyzes the transformation of hero image building,starting from three dimensions of hero positioning,character character and character consciousness,and explores the role construction of the "Main Melody" Film in the contemporary era.The last part takes the narrative transformation of the main the Main Melody" Film as the starting point,brings the commercialization turn,the narrative sensory experience and narrative aesthetics into the transformation research,and analyzes the relevant cases.This paper makes a summary analysis of the the "Main Melody" Film before and after the node in the new century,and makes the following conclusions:After entering the 21st century,the artistic paradigm of the the "Main Melody" Film,which is composed of aesthetic features,hero image building and narrative means,has undergone great changes.Its aesthetic features are more in line with the aesthetic expectations of the new century audience for the film,the hero character building is more three-dimensional and full,closer to the masses,and its narrative level lays more emphasis on the grasp of human nature and the resonance of the feelings of home and country.But also to shock the audio-visual language and image wonders to render.The development of the "Main Melody" Film is still in progress,and the expression paradigm of new ideology and mainstream values is still being formed in its interior.