Research On The Teaching Of Emotive Movements In Uygur Dance

Dance art is a combination of visual,auditory,kinesthetic and perceptual integration.The dance art uses human body as the main means to express the dance.Through the intensity,strength,rhythm and other aspects of the body rhythm,it conveys the information to the audience.With the help of various media such as music,scene,props,space,clothing,etc.,it conveys the true feeling to the audience and gives certain enlightenment on life.It reflects human’s real life and yearning for and pursuit of a better life.It can also be said to be "a dynamic plastic art with super spatial,temporal and comprehensive characteristics"[Long Yinpei,Xu Erchong,Ou Jianping edited:Dance Knowledge Manual,Shanghai Music Publishing House.]",so it has more power to face the human heart than the art of conveying emotion and meaning such as language,painting,sculpture,text and music.Therefore,a really good dancer needs to have rich emotional expression ability that ordinary people do not have and attach to it,so that dancers can create a situation,drive the audience’s emotional ups and downs,and satisfy the audience’s feelings for personal emotions.Therefore,every actor and professional student practicing or learning dance should have good emotional expression ability.For a long time,how to integrate emotional elements into the movement skill training of Chinese folk dance has been one of the main concerns and research issues of the predecessors in the dance field.Clarifying the relationship between dance movements and emotions has become a necessary condition for the study of the affective movements of Uygur dance.From the perspective of emotionality of dance movements,the author of this paper explores the presentation of emotionality in Uygur dance and applies emotionality related theories in practical teaching.Therefore,this paper mainly includes three aspects:First to construct the basic concept of emotional movements in Uyghur dance and the language pattern of emotion in Uyghur dance.Based on the analysis and research of psychology,dance and other related theories,this paper analyzes the concept of sexual and emotional movement and its corresponding emotional expression and body movements in Uyghur dance,emotional movement in Uyghur dance and movement expression in Uyghur dance.This study holds that emotion and action are closely related as surface forms of "physical reaction" and "mental phenomenon".For the dances of Uyghur and other ethnic minorities,"emotion" is the underlying spiritual core of the heart,and "movement" is the externalized ethnic symbol.The driving force of ethnic emotion will affect the physiological changes of the body,and when the physiological changes are transformed into artistic dance movement language,the love for "ethnic emotion" will be further deepened.Different ethnic emotions will also affect the content,range,rhythm,intensity,texture and other aspects of dance movements.Among them,the expression information of "emotional movement" is more obvious in the prominent parts of Uygur dance,which is mainly the upper limb movement,including the face,head and neck,hand,shoulder and rib,chest and waist and abdomen.The expression information of the "emotional action" in the secondary parts of the movement is more passive,mainly for the lower limb movement,mainly for the crotch,leg,etc.,showing a relatively single rhythm rhythm and moving pace,is to follow the rhythm of the whole body and tremble,so more passive.Secondly based on the core concept of "emotional movement",this paper analyzes the factors that produce "ethnic emotion" in Uygur dance movements.The Uyghur ethnic emotion contains the profound cultural and aesthetic connotation behind the Uyghur ethnic emotion,the power of emotion for Uyghur dance is continuous,through analysis,it is found that the Uyghur ethnic emotion is influenced by the ecological environment,music and dance inheritance,ritual spirit,totem worship,concept pursuit and other aspects.The formation of indomitable,positive and optimistic,hospitality,piety and pure ethnic sentiment.Emotion expression in Uyghur dance is not only a psychological phenomenon,but also a realistic study on the development of social forms in a region or even the whole country.Emotion is placed in a larger perspective to observe the overall social and cultural development of Uyghur.It is found that"pluralistic unity","compound" and "hybridity" are the main characteristics of Uyghur dances existing in the special cultural regional environment of Xinjiang region.Uyghur dance today is an art form after cultural integration,historical change and differentiation.It has obvious marks of Western music and dance culture and Islamic sect culture,and at the same time,it also embodies the characteristic image of foreign and alien culture.Finally explore the application of emotional movements in dance teaching.Combined with dance teaching,this paper constructs a teaching case of emotive movement expression of Uygur dance through the specific drama Grape Picking,and makes a specific analysisHow to convey emotional movements more accurately to dance majors is hoped to enable them to quickly grasp the Uygur dance style and build a complete emotional expression ability,so as to cultivate excellent dance performers.Through the teaching test of affective movement skills in Uyghur dance classes,it is found that the intervention of affective movement skills in short-term teaching,combined with multimedia introduction,music appreciation,facial expression training and other means,can help dance students perform dance repertoire well,grasp the artistic style of Uyghur dance and express the emotion of the Uyghur ethnic group in a short time.