A Study On The Calligraphic Style Of Jingyun Stele

The Jingyun Stele was unearthed in Yunyang County,Chongqing in 2004 and is now in the Three Gorges Museum.The excavation of Jingyun Tablet is a great event in archaeology and calligraphy circles in Southwest China.The tablet is a work of official script in a highly mature period.With its unique style charm,it has been attached great importance by researchers and enthusiasts of Han tablet calligraphy since it was unearthed.The inscription of Jingyun Tablet has rich historical document value.There have been many studies on the tablet in philology and history,and the study of calligraphy has just begun.This thesis is a study on the calligraphy art of Jingyun Tablet.This paper starts from the historical background of Jingyun Tablet to explore the reasons for the formation of its unique style.In this paper,the characteristics of the strokes,the characteristics of the strokes,the characteristics of the association and the style of the composition of Jingyun Tablet are studied repeatedly and in multiple dimensions.By comparing with the Han tablets in different regions of the same period,it is concluded that the brush used in Jingyun Tablet is square,square and economic,simple and quiet;Interframe structure: flat flat apartment insurance,according to the interspersed side,silhouette changeful,naive naive;Chapter method layout: horizontal show dense,longitudinal take sparse,scattered,full and vivid.Through the detailed study of the original tablet and the analysis of the copying practice of Jingyun Tablet by Niu Shuaibing,a contemporary calligrapher,the author experiences the naive and clumsy meaning of Jingyun Tablet.In the selection of "Jingyun Tablet",we should follow the spiritual connotation of "big clever if stupid",to achieve a degree of choice,in order to "both physical and spiritual" excellent works forward.In the study of calligraphy,we should not only pursue the original and respect the beginning,but also pay attention to the core of calligraphy techniques,and try to figure out the details of the tablet with awe.Combined with the author’s experience and experience,I carried out the conversion experiment of temporary creation,and constantly found my own pen and ink language in the exploration and learning,in order to improve my own calligraphy creation ability.