On The Formal Language Of Image Oil Painting

Since the introduction of Western modern oil painting techniques into China,for more than 100 years,after long-term efforts and practical techniques,Chinese oil painting masters have combined the spiritual connotation of Chinese traditional culture of the Chinese nation with the theory of Chinese and Western advanced oil painting techniques to produce an oil painting style image oil painting with a unique Chinese Core.This thesis focuses on the following four parts to analyze and explore the creation of image oil painting and its formal language.The creative process of image oil painting refers to that the painter organizes and applies the required visual language to the creative picture,while the formal language can expand the painting schema and idea expression floating on the surface,so as to explore the painter’s real heart and artistic essence,and then explore the continuation and expansion of image oil painting in the author’s personal creation.The first part is the introduction,which summarizes the research background and significance of image oil painting,summarizes the research status at home and abroad,describes the content of research methods and new points of paper,and discusses the aesthetic significance and concepts of image and image oil painting.The second part analyzes and compares the works of the representative artists of Chinese image oil painting,discusses the embodiment of image elements such as shape,stroke,color and composition in their works;The third part,under the analysis of formal language,excavates the narrative,expressed emotion,unexpected situation and hidden narrative of the picture hidden under“image”and“meaning”;The fourth part mainly expounds the use of the symbolic element of“tree”in the personal creation symbiosis,studies its implied meaning and schema characteristics,expounds the formal language embodiment in the personal creation symbiosis,and discusses the image of emotional landscape oil painting contained in the work.