A Probe Into The Performance Program Of Xiaodan In Gannan Caicha Opera

This paper focuses on the stage performance practice of the author playing the small Dan "Yulan" in the traditional Caicha drama "Trial Wife" in southern Jiangxi,and analyzes the application of the small Dan’s performance program in the "Caicha" from the perspective of the dynamic performance program of the opera itself.The full text is mainly divided into five chapters.The first chapter first explores the origin and evolution of Xiaodan in Gannan Caicha opera from the origin and development of Gannan Caicha opera,and then elaborates the role characteristics of Xiaodan in Gannan Caicha opera from three aspects:role art characteristics,costume and props characteristics,and dance dynamic style.The second chapter combines the opera program and digs and refines the performance program norms of Xiaodan in Gannan Tea Picking Opera from the aspects of hands,eyes,body and steps.In the third chapter,the prototype and adaptation of Gannan Caicha Opera "Shiqi" as well as the characteristics of the play are summarized.The fourth chapter focuses on the application analysis of the performance program of the personalized stage practice of the typical role of Xiaodan,"Yulan",in the Caicha opera "Shiqi" in southern Jiangxi.Corresponding to the performance program structure of Xiaodan in the second chapter,a comprehensive discussion is made from the four aspects of "gesture","expression","body charm" and "footwork".Through the performance practice,it is summarized that:grasp the basic character from the script,and then deeply tap the personality highlights and deep inner feelings of the characters to shape the characters.On this basis,choose appropriate single and complete performance programs to blend with the characters;The use of traditional procedures to reorganize and strengthen the performance details of traditional roles,as well as the innovation of performance procedures based on traditional procedures,make the traditional role of Xiaodan glow with new colors.Think first and then perform.In the process of performance,rely on traditional programs to find new expressions,integrate their own personalized understanding,tap deeper stage potential for the traditional performance of Xiaodan in Gannan Caicha Opera.Based on the performance accumulation of previous artists,combine the "Magnolia" part of their own performance characteristics,and finally summarize the performance insights and thinking in detail.The purpose of this paper is to tap the traditional inherent potential and innovative expression of the performance program of Xiaodan in Gannan Caicha Opera,and put forward a suitable discussion for the inheritance and development of Xiaodan’s performance in Gannan Caicha Opera.