Title:a Study On Two-dimensional Ink Animation Expression Of Fang Jizhong’s Chinese Painting Artistic Language

From 1960 to 1980,after the emergence of ink cartoons known as the "Chinese School",the way of ink painting was not limited to the square inch on the paper.For a long time,Chinese ink animation has been outstanding in the world animation with its unique artistic deposits and profound cultural accumulation.After decades of development,with the introduction of animation computer technology,the level and speed of animation production have been gradually improved,which reduces the production time and cost of two-dimensional ink animation and provides convenience for the creation of ink animation."Chang ’an Painting School" in an innovative way,shows the northwest customs and customs and the Loess Plateau once ignored by the art circle,Mr.Fang Jizhong strictly adheres to the artistic concept of "one hand to tradition,the other hand to life",integrates the ancient natural scenery into the Chinese painting,integrates the "charm" and "artistic conception" in the artistic language of Chinese painting,and the ink is dry and smooth one after another.Emphasizing the concept of "writing God in form",it expounds the thought and spirit of the Chang ’an School of painting in the form of poetic idyllic painting art,pushing the aesthetic realm and ink language of Chinese landscape painting to a new stage of development.Starting with the artistic style and language of specific artists,this topic analyzes the taste of ink and brush of Mr.Fang Jizhong,the painter of "Chang’an Painting School",compares and analyzes traditional ink and wash animation with traditional ink and wash painting,extracts the theoretical achievements conducive to animation creation,and tries to integrate the "artistic conception" of traditional classical poetry from the picture design and narrative methods.Create 2D ink animation short film with modern digital technology,and test the feasibility of applying the art language of Chinese painting to 2D ink animation with practice.Contemporary two-dimensional ink animation needs to return to the national art,inherit the artistic achievements of the older generation of artists,explore new themes of two-dimensional ink animation,in order to create animation forms and styles with distinct Chinese charm,carry forward the excellent traditional culture of the Chinese nation,and continue to show the unique artistic charm of ink animation.