Throughout the development process of Chinese literary history writing,the first half of the 20 th century was a period of rapid development of Chinese literary history written by the Chinese people themselves,from depression to prosperity,and from single to pluralism.Based on the outbreak of the May 4th Movement and the Anti-Japanese War as the time node,this paper divides the history of Chinese literature in the first half of the 20 th century into three stages: creation,prosperity and maturity,and discusses the writing characteristics of "Yuefu of han,Wei and six Dynasties" in the literary history of different periods.The first chapter is the "Yuefu" writing in the literary history under the traditional literary concept.When the history of literature first entered China,it was restricted by the teaching rules and the traditional academic ideas,which influenced the embryonic form of "Yuefu" entering literary history writing.Lin Chuanjia’s History of Chinese Literature excluded "Yuefu" from the scope of his literary history writing.Later,with the continuous exploration of literary history writing,"Yuefu" entered the scope of literary history writing,and the reference and development of traditional Yuefu learning became the common characteristics of "Yuefu" writing in this period.The second chapter is the new change of the "Yuefu" writing in the literary history after the May 4th Movement.The May 4th Movement brought a large number of western literary thoughts.Literary historians applied western literary ideas to the writing of Chinese literary history,which promoted the writing of literary history and the writing of Yuefu in this period to change from tradition to modern.Hu Shi’s "Vernacular literature concept" brings the new discovery of Yuefu literature value,is the key turning point of literary history Yuefu writing,constructs the modern Yuefu writing model,and greatly affects the subsequent literary history Yuefu writing;Lu Kanru and Feng Yuanjun under the textual research to combine the traditional Yuefu and the modern Yuefu writing framework;He Kai and Tan Pimo try to observe Yuefu literature through historical materialism,and provides a new idea to interpret the Yuefu poetry creation from the social and economic perspective.The third chapter is the maturity and finalization of "Yuefu" writing in the history of Chinese literature,from the Anti-Japanese War to the founding of the People’s Republic of China.Under the influence of the war,the number and achievements of literary history writing are less than those in the previous period,and the main characteristics of literary history writing in this period,but there are still some works that can bring forth new ideas.Liu Dajie’s History of The Development of Chinese Literature tries to write Yuefu literature with an objective and fair scientific attitude,It is a masterpiece of Yuefu literature in the early 20 th century.Lin Geng’s History of Chinese Literature uses the dual perspectives of poets and literary historians to write the spirit of Yuefu with poetic logic.The fourth chapter is a summary of the writing of "Yuefu" in the first half of the20 th century Chinese literary history.From the dual perspectives of the changes in literary historical views and the evolution of the value understanding of "Yuefu",while paying attention to the evolution of modern "Yuefu" research from the perspective of the overall writing of literary history,it also reflects the overall development of literary history writing from the perspective of the individual writing of "Yuefu". |