| Screen movies take "closed" interfaces such as computer desktop,mobile phone interface and camera screen as the carrier,with cross-media properties.With the progress of technology and the vigorous development of new media,film has entered the new media generated by digital technology and developed a new situation.The emergence and development of screen films cannot be separated from the communication between the network and the media.Its form depends on the cross-media integration,and its content also shows the characteristics of cross-media.This paper first expounds the special form of screen movies,which is the product of the post-media era and has the characteristics of "attractive film" and "database film".Its picture style and narrative language break through the traditional film scene scheduling and shot conversion mode,full of new cross-media attributes,and gradually develop and improve its own unique style.Then,it makes a detailed analysis of the narrative perspective of the screen film.The whole point of view shots make the audience full of immersion.Although most of them are two-dimensional planes,they can also closely grasp the audience’s attention,carry out visual focus,and produce visual stitching effect.Then,the paper analyzes the double space of the screen film,combines the virtual and the real,uses the space for narration,and even produces the scene simulation,identity identification and emotional awakening of the meta-universe.Finally,combined with the graduation work "Lao Li’s House",through a family story under the background of the Internet,the overall production idea of screen film is introduced,and the overall theory is further deepened by combining theory with practice. |
