A Study On The Wonders Of The New Century "Feng Shen Series" Animation Films

The research idea of this article presents a logical relationship from the outside to the inside as a whole,and a textual order from the whole to the specific is presented within the chapters,from looking back at the history,leaving the world and returning to the current dynamic process,from the perspective of the animation itself,the individual subject and the real society,this paper is committed to comprehensively writing the wonders in the new century " Feng Shen Series" animation films,in order to explore the characteristics and development laws of Chinese animation films.The first chapter starts from the origin of the development of Chinese animation film wonders in the new century,that is,to explore the background of the generation of wonders.The first section explores the different performances of Chinese animation wonders at different stages,and explores the relationship between wonders and animation forms.In combination with the "Avatar Series" animation films,it explores the market environment after wonders become a visual boom,as well as the audience’s acceptance and feedback.The second section starts with the production process of the film,analyzes the selection of the "Feng Shen Series" animation film in the story template,creation and the blessing of the post-effect technology,and restores the pursuit of the " Feng Shen Series" creator for the spectacle interpretation under the production background.The second chapter mainly analyzes the innovative visual strategy of the new century "Feng Shen Series" animated films.The first section explores the specific aesthetic representation and characteristics of the " Feng Shen Series" wonders from three aspects:environmental wonders,deformation wonders and character wonders;The second section focuses on the exploration of the post-modern rules for the creation of wonders in the context of visual culture in the new era,namely,the reappearance of classical wonders,the grafting of ancient and modern wonders and the collage of world wonders.This new change makes the expression of wonders in Chinese animated films full of vitality.The third chapter focuses on exploring the practical significance of the expression of animation film wonders in the new century,that is,feeling the vibration of the soul under the visual shock,and bringing touching emotional memory with the visual wonders full of human connotation,so as to form a lasting classic.The first section considers from the perspective of social identity,the reappearance of wonders is also the reappearance of national memory,thus forming the resonance of collective emotions and spiritual ownership;The second section focuses on personal identity.The wonders of the new era are mostly shaped in the danger of survival and spiritual difficulties,so as to stimulate personal strength and realize spiritual salvation in the constant search for self.The fourth chapter puts forward constructive suggestions on the development of wonders in the "Avatar series" animated films,such as the gamification of wonders,the serialization of wonders,and the re-consumption of wonders.How to keep the wonders fresh and adapt to the changes of the times and the audience,the author compares the consumption background with other countries’ advanced animation film culture,and then studies how to create wonders with Chinese characteristics.Finally,a brief summary is made,taking the development of the new century " Feng Shen Series" animated films as an example,to find out the possibility of the progress and development of Chinese animated films.That is to say,mastering the trend and application of wonders will help Chinese animated films to cope with the new situation of film development,and promote Chinese animated films to take on a new look,at the same time,they can shine brightly in the world’s animated films.