Research On The "Fine Monster" Volume Of Taiping Guangji

As the first collection of classical Chinese novels in ancient China,Taiping Guangji classifies,included,collected and compiled a large number of works from the Han Dynasty to the early Song Dynasty,and has important historical significance and document value.Among them,the "fine monster" volume includes 55 fine monster novels in 6 volumes from the six Dynasties to the early Song Dynasty,showing the collection principles and classification principles of the editors.Through a comprehensive and systematic study of this volume,the author wants to explore the fine strange concept and classification of the Song Dynasty editors at that time,and shows the horizontal problems such as the fine strange image and characteristics,as well as the vertical evolution of the fine strange novels from the Six Dynasty to the early Song Dynasty.This article is mainly divided into three parts: introduction,body and conclusion.The introduction part is mainly a brief introduction to the status,compilation purpose,classification and edition of Taiping Guangji,as well as the study of the "fine strange" volume in the academic circle,so as to obtain the research significance and innovation points of this paper.The first chapter is a combing of the research problems of the "Monster" volume of the Taiping Guangji.On the one hand,the formation of the concept of fairy monsters,since the emergence of animism and soul theory in the primitive period,the ancestors anthropomorphized natural objects,and the concept of monsters began to germinate,which was basically established in the pre-Qin and Han dynasties.The concept of post-fairy monsters continued to change during the Wei,Jin,Southern and Northern Dynasties,Tang Dynasty,and early Song Dynasties,and the types of fairy monsters increased,becoming more daily and life-oriented.On the other hand,it presents the classification of the "Fairy" volume and the number of works included,analyzes the reasons for the classification of the "Fairy" volume from the compilation style of the Taiping Guangji,studies the development and periodization of the Fairy Novel from the background of the times and the author group,and divides the Fairy Novels in the "Fairy" volume into the embryonic period,the flourishing period and the decline period.The second chapter takes the features of monster as the starting point,analyzes the text of "monster" in detail,and summarizes the features of monster from the general features and rheological features respectively.In addition,through the analysis of the more and more close characteristics of the monster and the people,it is found that in the middle and late Tang Dynasty,the relationship between the monster and people from a single harm,emotional friendship,help for people,and other types of people,the treatment of the monster from the direct change to unbearable hurt.The third chapter discusses the creative art of the plot structure and image shaping.Compared with the early Six Dynasties and the Tang Dynasties and the Five Dynasties and the early Song Dynasty,the strange novels in the middle and late Tang Dynasty became mature in the creation art,showing the characteristics of "creative curiosity" of the Tang people.Therefore,when discussing the art of creation,this chapter mainly focuses on the works of the middle and late Tang dynasties,as well as the works of the early Tang period of the Six Dynasties and the early Song period of the Five Dynasties,and shows the fluidity of the novel in the creative art.The fourth chapter discusses from three aspects of religious implication,realistic implication and folk culture implication,and deeply excavates the implication culture contained in the fine and strange novels of the middle and late Tang Dynasty.