Folk Arts And Aesthetic Governance: An Investigation Centered On Huazhai Township,Zhangye City,Gansu Province

This paper takes the art of villagers in Huazhai Township,Gansu Province as a case,analyzes the two different levels of national governance and self-governance,and understands the methods and basic contents of aesthetic governance of folk arts.In the analysis of the governance of folk arts,it is found that in the governance behavior of folk arts,there is a general "negotiation" relationship between the subjects involved in governance,which is the interaction between subjects with diverse identities,and mainly takes the large-scale exhibition and performance of the folk arts club fire performance in Huazhai Township as an example to elaborate on how to interact.In the process of observing the interaction of subjects,it is found that the "middleman" who plays a key role in the flow of identity in aesthetic governance gives important cultural interpretations on the generation,composition and behavior logic of this type of people,and pays attention to the role of "middleman" in revising artistic tradition in the aesthetic governance of folk arts.The influence results of aesthetic governance by multiple parties ultimately point to the current survival state of folk arts,as well as the living people that aesthetic governance wants to care for,and point to the emotional structure of the internal bearers of culture.Only on the basis of understanding and respecting the emotional structure of the internal holders of culture can we think and filter a series of Western theories such as aesthetic governance,give play to the true value of the theory,and truly place the art of villagers in the local cultural system and explore cultural development strategies that are more suitable for the real local situation.