| As a "visual schema",landscape is not only an external form of landscape painting,but also the second nature in the artist’s heart;"Landscape" may not have complex and detailed features,but this form of expression will convey the meaning and style of landscape."Landscape" is definitely not a simple natural description of the scenery,but it must be full of interesting and vivid schema structure.In the contemporary era,the construction of the new landscape schema cannot abandon the inheritance and development of the traditional schema.On the basis of long-term observation of nature,we gradually transform it into the "landscape" schema.The selection and learning of the tradition gives us the established observation method and cognitive law of the landscape.The schema cultivates our visual thinking and allows us to understand the real landscape by observing the "landscape painting",This will better cultivate our ability to understand and systematically learn,develop an ability to create landscape schema,make the "landscape" in our eyes surpass the original paper cognition,closer to the "truth" of nature,restore the real landscape style,let the public understand and read "landscape" paintings,and produce a strong sense of cultural identity.Landscape painting with regional characteristics is a landscape schema with paper-based cognition of landscape and cultural heritage,which is the basis of the regionality and culture of landscape painting.Under the influence of the artist’s creative thought,give full play to the regional characteristics,use modern visual symbols,landscape culture and modern thought,and change the pen and ink texturing method of traditional landscape painting through creative language exploration.This paper mainly focuses on the theoretical analysis and research of modern visual schematic landscape painting,and analyzes and understands the schematic landscape through some examples and practical forms of expression.By exploring the formal language of landscape painting,we can uncover the mystery and find a new style and possible development context for the formal language of landscape painting. |
