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Study On The Musical Characteristics And Singing Art Of Gao Weijie’s Three Ancient Poetry Art Songs

Posted on:2023-08-04Degree:MasterType:Thesis
Country:ChinaCandidate:J LiaoFull Text:PDF
GTID:2555307079488154Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
"Silent night thoughts" "farewell" and "Bodhisattva man Dabaidi" are three excellent ancient poetry and art songs created by contemporary famous composer Gao Weijie."Silent night thoughts" is composed of 29 sections,which is a single two part structure.The whole song expresses the strong yearning of wanderers far away from home in Andante and middle board;The vocal music accompaniment adopts piano performance,decomposition chord texture and column harmony texture,reposes homesickness with the repeated tone of the same word,and highlights homesickness in the national mode of ~bB palace."Farewell" consists of 33 sections.In order to reproduce the single trilogy style,the whole song expresses the tenderness for young singers in andante,which is sincere and touching;The vocal music accompaniment is performed by piano,using columnar chord texture and semi decomposed chord texture to express the pain of parting by repeating the central phrase and express the sadness in D Yu national mode."Bodhisattva man Dabaidi" consists of 35 sections.It is a single two part structure.The whole song depicts the magnificent scenery of Dabaidi after the rain,and expresses the revolutionaries’ unique views on war and beauty,which is thought-provoking;The vocal music accompaniment is played by piano,with broken chord texture and column harmony texture.It develops with four bars as a rhythm unit.The melody of the high voice part is light and clear,and the low voice part is free and soothing.Sometimes it is high and excited,showing an optimistic and heroic feeling.It shows the confidence and openness of the proletarian revolutionaries in the national mode of ~bA palace.Among them,the two songs of "silent night thoughts" and "Bodhisattva man · Dabaidi" are single and two part musical structures,which adopt the structural form of transition and transition commonly used in Chinese national vocal music works.The artistic level is clear,the music context is clear,and they are full of national music charm.When singing "silent night thoughts" "farewell" and "Bodhisattva man Dabaidi",we should follow the phonology and tone of Chinese characters,sing out the melody style,singing characteristics and the unique flavor of Chinese ancient poetry and art songs.In the process of singing,we should learn to use some singing skills: we should use special skills such as stealing breath,lifting breath,sinking breath and stopping breath to control and grasp the breath,so that the breath is coherent and full and the sound is cut off continuously;The cavity should be moistened and decorated,shaped and processed by using the methods of upper leaning sound,lower leaning sound,compound leaning sound,vibrato,glide,continuous sound,pause sound,micro sound,false sound and so on;Enunciation should be "clear at the beginning,round at the belly and accurate at the end";We should grasp the rhythm and strength.The grasp of rhythm is the grasp of the speed of the sound and the length of the beat.The grasp of strength is the grasp of the strength of the sound and the volume.In the process of singing,we should also learn to pay attention to grasp the expression of singing emotion,sing with heart and emotion,so as to bring sound with emotion,convey emotion with sound and enrich both voice and emotion.Only in this way can we truly artistically and aesthetically interpret Gao Weijie’s ancient poetry and art songs "Silent night thoughts","farewell" and "Bodhisattva man Dabaidi".
Keywords/Search Tags:Art Song, Gao Weijie, "Silent night thoughts", "farewell", "Bodhisattva Man · Dabaidi"
PDF Full Text Request
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