Research On The Transformation And Criticism Of Lu Ling’s Novel Writing In The 1950s

In the 1940s,Lu Ling was an explorer who devoted himself to excavating the primitive power and the trauma of spiritual slavery in the soul of the Chinese nation.After entering New China,his creative career encountered unprecedented challenges.Writers are personally caught up in the trends of the times,such as "socialist literature","worker-peasant-soldier alliance" and "literature serves politics",forcing them to abandon their existing literary and artistic concepts and choose a narrow artistic path to continue creating.As a result,Lu Ling’s creations have gradually different artistic features from those of the past.In Lu Ling’s literary criticism,the contradiction between "individual" and "collective" is a prominent problem,and this criticism has had a profound impact on Lu Ling’s subsequent transformation and creation.Therefore,it is of great significance to study the relationship between the transformation and criticism of Lu Ling’s novels in the 1950 s.This article attempts to start from the relationship between the transformation and criticism of Lu Ling’s novels in the 1950 s,combined with the political and cultural background from the 1940 s to the "Seventeen Years of Literature" period,to sort out the specific manifestations of the transformation of Lu Ling’s novels in the 1950 s.,as well as the reasons for the emergence of literary criticism during the period and Lu Ling’s personal anti-criticism attitude.On this basis,it analyzes the influence of literary criticism in the 1950 s on Lu Ling’s literary creation and personal destiny,and discusses the significance of the interdependence and mutual influence between Lu Ling’s creative transformation and criticism in the 1950 s.The main text discusses the relationship between the transformation and criticism of Lu Ling’s novels in the 1950 s from three aspects.That is,the theme and style of "change" in Lu Ling’s novels in the 1950 s,the "unchanged" middle character creation and the "trauma of spiritual slavery",from which we can see that the "change" and "same" in Lu Ling’s creation represent Lu Ling.Ling’s subordination and disagreement to the concept of new Chinese literature and art.Secondly,it sorts out the controversy over Lu Ling’s novels in the 1950 s in the literary and art circles.It mainly revolves around the two key points of the "individualism"plot in Lu Ling’s novels and the political implication of "Hu Feng’s counter-revolutionary clique";criticism? " article,in-depth analysis of the root cause of Lu Ling’s transformation failure due to the deep-rooted influence of Hu Feng’s literary theory.Finally,the influence of literary criticism on Lu Ling’s literary and personal fate is discussed: on the one hand,Lu Ling was unable to abandon his personal literary ideas and eventually failed in transformation;on the other hand,Lu Ling’s "identity anxiety" and suffering from decades of Prison,resulting in the loss of his writing ability.Lu Ling’s experience in "Seventeen Years of Literature" is not an isolated one.His experience is universal.Studying Lu Ling’s creation and criticism will help us to gain a deep insight into more modern writers during the "Seventeen Years of Literature" period.creation and mental journey.