The Study Of The Truth Dimension Of Nietzsche’s Tragic Aesthetics In The Perspective Of Apollo And Its Contemporary Value

The transformation of Apollo’s necessary truths,which Nietzsche makes feasible by discovering a value for the being in the German philological tradition,serves as the foundation for the development of his tragic aesthetics.As a result,Nietzsche creates a connection between the being and the world of being by deepening the idea of being and now with the contingent facts of the “theory of the fit”.The relationship between truth and aesthetics throughout the three primary stages of Nietzsche’s invention serves as the foundation for the development of his contingent truth aesthetics.The aesthetics of contingent truth can offer us new theoretical foundations,theoretical references,and theoretical reflections in three dimensions: the history of aesthetics,the principles of aesthetics,and the particular social reality because of the pluralistic and interconnected relationship between the being and the world of being that is established by this line of reasoning.Specifically,the paper is divided into five parts.The first part focuses on the dual transformation of the figure of Apollo from a god of nature to a god of personality,and from a controller of necessary truths to a revealer of contingent truths,from the perspective of ancient Greek tradition.From his birth to his entry into ancient Greek literature,Apollo underwent a divine transformation from a god of nature to a god of personality,and the dilemma of necessity that he encountered enabled Nietzsche to transform him into a revealer of the contingent qualities of the being.The second section examines Nietzsche’s philological justifications for changing Apollo from the standpoint of being.The crisis of the scientific and normative classicalization of German classical philology,as well as Nietzsche’s more radical proposal of a “theory of historical life” based on Bukhart’s artistic meditations on the subject,are what led him to decide to transform the god of prophecy into the way of being.The third part seeks to clarify the theoretical content of Nietzsche’s concept of contingent truth.Nietzsche’s search for the truth of being must be defined in a philosophical sense.After trimming Heraclitus’ generative world of being discourse and mirroring Schopenhauer’s “principle of individuation”,Nietzsche the contingent truth of the fit theory of the indeterminate being and a generative world of being.The fourth section focuses on Nietzsche’s journey from tragic aesthetics to the construction of an aesthetics of contingent truth.Nietzsche’s theoretical journey is centred on the question of the truth-fit of the being and the world of being,from the reinvention of truth to the aesthetics of the being,and then from the aestheticisation of being to the worldisation of truth.Nietzsche also completed the transformation of his thought from truth to aesthetics and then from aesthetics to truth.The fifth section focuses on the contemporary value of Nietzsche’s aesthetics of contingent truth in its three dimensions.The value of the aesthetics of contingent truth is that it provides a new understanding of the history of aesthetics,its fundamentals,and concrete social reality in its pluralistic relationship to the world of being and being.Firstly,it provides a theoretical reference for understanding the “correlation theory” of Heidegger’s “aesthetics of truth”;secondly,it brings us a new way of thinking about the“momentary theory” of aesthetic speech by correcting the three fallacies of “sense of beauty” and reflecting on the current “pleasure matrix”;thirdly,it also provides us with a critical reflection on the three qualities and double inevitability control of virtual technology represented by the Metaverse.