A Research Of Jiang Hai Fu In Ming Dynasty

The "Jiang Hai Fu" of the Ming Dynasty was a major geographic fu with "river" and "sea" as its subject matter,It reflects the cultural production and spiritual life behind a series of activities such as production and life of people at that time.As an important part of the geography category under the category of water fu,"Jiang Hai fu" is one of the most important topics in many geography categories.In the context of the history of the Ming Dynasty,the depiction objects,creative modes and expression techniques of "Jiang Hai fu" have surpassed the previous generations to a certain extent,and have the value of further exploration and research.The introductory chapter of the article mainly compares the development history of Jiang Hai fu,explains the significance and value of the study of Jiang Hai Fu in the Ming Dynasty,and reviews the research results of the former sages,so as to clarify the premise for the subsequent study.The first chapter combs through the literature of Jiang Hai fu in the Ming Dynasty,and obtains a total of 31 Jiang Fu,25 He Fu,and 33 Hai Fu,a total of 89 articles,which is the research object of this paper.Chapter 2explores the reasons for the prosperity of the Ming dynasty’s Jiang Hai Fu,focusing on four aspects: politics,economy,culture,and literature,with particular attention to the commercialization of agriculture,the development of transportation,overseas trade and the "sea ban" policy,and the political ecology of the Ming dynasty,with the aim of outlining the political,economic,and cultural backgrounds on which the Ming dynasty’s Jiang Hai Fu flourished.It is intended to outline the political,economic and cultural backgrounds that underpinned the flourishing development of Jiang Hai Fu in the Ming Dynasty,so that people can better understand the creative background of fugue writers in this period.Chapter 3 focuses on the analysis of the content of the Jiang Hai Fu,analyzing the inheritance and innovation of the Ming Dynasty Jiang Hai Fu to the previous Jiang Hai Fu through close reading and deconstruction of the text.The fourth chapter focuses on the artistic characteristics of the Jiang Hai Fu,mainly from three aspects,such as the portrayal of images,artistic expression and language forms,to study the inheritance and uniqueness of the Ming dynasty Jiang Hai Fu in art.Through their own experiences,the writers of the Ming Dynasty put their sights and feelings of Jiang Hai in their hearts,and passed them on to future generations.From the point of view of time,the creation of Jiang Hai Fu in the Ming Dynasty was most prosperous in the middle and late Ming Dynasty,and the number of Fu works accounted for 65% of the whole Ming Dynasty.From the geographical distribution of fu writers,their places of origin are mostly concentrated in Jiangnan and coastal areas,and their activities are closer to rivers,rivers and seas,while there are relatively few in the west and north,which is also determined by the economic pattern of the Ming Dynasty,when people engaged in commercial activities and overseas trade were mostly concentrated in the southeast coast.From the viewpoint of the object of description,35% of the descriptions of "Jiang",28% of the descriptions of "rivers" and 37% of the descriptions of "seas",this difference reflects the preference of the subject matter of the writers at that time.In terms of artistic techniques,the Ming Dynasty’s Jiang Hai Fu mainly inherited the artistic techniques of the Han and Wei Dynasties in portraying the images of jiang,rivers and seas,often from the combination of size,three-dimensional narrative mode and the fixation of the referential objects to portray the images of Jiang Hai Fu.Its artistic performance is to lay out and exaggerate,to conquer reality and fiction.Its linguistic form is manifested in questions and answers between the host and the guest,borrowing from the previous fu,refining the sentences and absorbing the sentences style of the Sixth Dynasty parallel Fu.The fu writer tries to create a new image of Jiang Hai Fu that is different from the previous one from many angles.