The Application Of “Tongjun Sangong” In Three Works Of Luo Zhongron

"Tongyun Three Palace" is a music theory first proposed by Mr.Huang Xiangpeng in the early 80 s of the 20 th century.After this theory was proposed,it attracted extensive and strong attention from people in the industry.For more than 30 years,scholars have been arguing and expressing their own opinions on the establishment,analysis and citation of the "Tongyun Three Palace" theory,but they have undoubtedly further deepened the understanding of the "Tongyun Three Palace" theory.Among them,the composer Luo Zhongyong agreed with this music theory and conducted in-depth research,took the "Tongyun Three Palace" as his inspiration and idea for creation,personally applied this theory to creative practice,and created a number of excellent works combined with his years of creative philosophy.This paper mainly analyzes the theory of "Tongyun Three Palace" from the pitch theory and expansion of "Tongyun Three Palace",the "Tongyun Three Palace" sound series,the pentatonic twelve-tone set,and tonal space,and finds out the influence and inspiration on contemporary music creation from multiple angles.Among them,Luo Zhongyong’s three works "Tongyun Three Palace","Qin Yun" and "Shijiang Cai Furong" are analyzed in detail,trying to introduce the "Tongyun Three Palace" theory first proposed by Huang Xiangpeng from the study of traditional Chinese music theory to a new realm.The paper is divided into four parts,the first part of which explains and analyzes the connotation and expansion of the theory of the "Tongyun Three Palace",in which the different scales of "Tongyun Three Palace" are displayed in the form of charts and musical examples,and the theoretical practical significance of "Tongyun Three Palace" is captured from different scale forms and multiple phenomena of "Tongyun Three Palace".The second part of this paper mainly analyzes the characteristics of the use of pitch materials in the three works of "Tongyun Three Palace",introduces the technical value of composition based on "Tongyun Three Palace",and attempts to analyze the research characteristics of "Tongyun Three Palace" theory techniques from different angles.The third part,starting from the harmony phenomenon,finds out the harmony characteristics in the work based on the theory of "Tongyun Three Palace".The fourth part expands from the characteristics of the use of the three works to the theoretical value and practical significance of "Tongyun Three Palace",explores the composition technology and theoretical value in multiple fields contained in the music theory of "Tongyun Three Palace",and finds new significance and enlightenment for contemporary composition techniques.In the "Conclusion" part of the article,the role and status of the "Tongyun Three Palace" theory in contemporary Chinese music creation are fully affirmed,so that the younger generation of composers can be inspired and inspired by Luo Zhongyong’s "Tongyun Three Palace" works,so as to create modern music works with traditional national characteristics.