A Study On The Pentatonic Twelve-tone Polyphony Technique Of Luo Zhongrong

Luo Zhongyong is one of the most accessible artists in modern China,and can be said to be the leading figure in the contemporary Chinese music field.When he was at school,he changed his major from violin to composition out of love,and his works became widely known in the composing circle at that time.In the early stage of his creation,he began to write works based on national and folk music in various places of our country,leaving us many works in rich forms.After the reform and opening up,he began to use the 12-tone sequence to write works,and added the traditional five-tone mode into them.On this basis,he made continuous attempts and explorations,and finally formed his unique five-tone theory system.This paper will take Luo Zhongyong’s pentatonic twelvetone works as the research object,through Luo Zhongyong’s different styles and different types of works analysis of the pentatonic twelvetone works in polyphonic techniques,and will summarize and find its unique rules and characteristics.This paper is divided into four chapters to tell the story of Luo Zhongrong’s development and development on the road of creation.The first chapter,composer Luo Zhongrong’s life and creation characteristics.The main introduction of Luo Zhongyong’s learning and creation of the road,and detailed description of Luo Zhongyong is how to learn in detail and create pentatonic twelve tone theory system,and its complete application into their own works.The second chapter,pentatonic 12-tone technique in the application of multi-level structure counterpoint technology,Luo Zhongrong works in counterpoint technology as the analysis point,to carry on the analysis of timbre and rhythm and other aspects.The third chapter,pentatonic 12-tone technique in the development of traditional imitation techniques complex application,with Luo Zhongrong works in the imitation techniques as the entry point,tells how he is from the traditional polyphonic techniques to obtain ideas to create.The fourth chapter,the value and significance of pentatonic twelve-tone polyphony technique,with the inheritance of traditional polyphony technique and the innovation of new polyphony technique as the purpose,expounds the integration of old and new techniques in Luo Zhongrong’s pentatonic twelve-tone works.Through the above elaboration and analysis,we can have a further understanding of this composer,how he integrates western composing techniques with Chinese traditional pentatonic music,and what kind of polyphony technique he uses to show it in his works.