An Analysis Of The Creative Characteristics Of Ma Sicong's Tibetan Musical Poems Suit

In the history of modern music development in China,with the spread of western music culture,China has entered the era of professional music creation.Western musical instruments and musical expression techniques could not properly express the ethnic style of Chinese music,and the problems of ethnicization and harmony techniques have gradually been paid attention to by composers.A new music environment created by the selection of Chinese culture began to appear.Ma Sicong,a famous composer,violinist and music educator,has embarked on a path of "ethnicization" of professional Chinese violin creation.The suite of Tibet Tone Poem was created by Ma Sicong in 1941.As one of his representative works,this group of works is his great attempt to combine the elements of Chinese national and folk music with modern professional composition techniques.It is also the first work in the history of domestic music that uses Tibetan music materials as the theme,which has far-reaching significance for Ma Sicong to explore the road of Chinese violin music ethnicization.Starting from the music ontology of the work,this paper takes literature research and music analysis as the main research methods to refine,sort out and analyze the compositional structure,style characteristics,rhythm and rhyme of each movement.The suite of "Tibet Tone Poem" has integrated strong Tibetan culture in harmony,melody,mode,form and tonality,etc.The form structure of each movement is contrasted and unified,highlighting the style characteristics of Tibetan folk songs,and the whole song has a distinct artistic image.Through research and analysis,this paper examines the creative characteristics of the suite "Tibetan Tone Poems" as a whole,and strives to deepen the understanding of the musical connotation of the suite,and realizes the combination of theory and practice in the future performance.