Research On The Creative Characteristics And Teaching Of Zhang Chao's Piano Work "Pihuang

Zhang Zhao’s piano solo "Pihuang" was written in 1975,and then it shone in the2007 "Palatino C up" creation competition.In this work,the composer combined the traditional Chinese opera Peking Opera with the western piano culture with a novel composition concept,and pushed our traditional music culture to the world stage through the music language,making an important contribution to the development of our piano music.This paper focuses on the creative characteristics and teaching of Zhang Zhao’s piano solo "Pihuang".First,it analyzes the creative characteristics of Zhang Zhao and his music works,and clarifies the contribution of his many national Chinese works to the development of Chinese piano music.Secondly,it analyzes the elements of Peking Opera used in Pihuang,which will provide an important reference for us to understand the characteristics,style and performance of this song.In addition,through performance analysis and teaching practice,this paper studies the technical difficulties in Pihuang,puts forward corresponding teaching methods,and summarizes some exercises that are helpful to overcome these technical difficulties.Zhang Zhao’s piano music "Pihuang" perfectly integrates Chinese traditional music Peking Opera and western piano music,making an important contribution to the development of Chinese piano music,and making China’s excellent traditional music culture enter the world stage.Therefore,this work has important research value and significance.