Sichuan-Chongqing dialect is one of the components of Chinese Mandarin in Southwest China.Southwest Mandarin is also the most used dialect type among the eight sub-dialects of Mandarin.Today,Southwest Mandarin is still the mainstream daily language used in Sichuan and Chongqing.After years of development,it has formed a diversified and active dialect with regional characteristics.As a type of film using special dialogues,Sichuan and Chongqing dialect films have been welcomed in the film industry.In the past two decades,the number of Sichuan and Chongqing dialect films has also increased significantly.Its number shows an increasing trend year by year,and it has also attracted more and more film creators and become their new creative preferences.However,with the increase in the number of Sichuan and Chongqing dialect film works,we should not only pay attention to the quality of the film itself,but also pay attention to the aesthetic audience as the audience.As a derivative of regional culture,Sichuan-Chongqing dialect film also makes its aesthetic audience have certain limitations.However,with the diversified integration of culture,people ’s aesthetic tastes are gradually diversified,so that Sichuan-Chongqing dialect film can be loved by the national audience with its uniqueness among many types of dialect films.This is inseparable from the excellent degree of some films,but also from the aesthetic emotions and preferences of the aesthetic audience.Therefore,this paper starts from the audience of Sichuan and Chongqing dialect films,focuses on the analysis of the aesthetic psychology of the aesthetic audience,takes the literature collection method and the work analysis method as the main research methods,and uses the theories of art,aesthetic psychology,linguistics and culture to demonstrate the relevant arguments.In this paper,a total of four chapters,the first chapter discusses the origin and development of Sichuan-Chongqing dialect film,the main content is to define the definition of Sichuan-Chongqing dialect and Sichuan-Chongqing dialect film.The second chapter mainly focuses on the aesthetic characteristics of Sichuan and Chongqing dialect films.The third chapter is the core part of this paper.The content of the discussion is mainly about the aesthetic cognitive effect of Sichuan and Chongqing dialect in film art.These effects are also the most important part of the aesthetic cognitive effect of Sichuan and Chongqing dialect in film art.Finally,the fourth chapter focus on the aesthetic value of Chuanyu dialect in film art.This paper focuses on the connection between subject and object in aesthetic activities and the focus of aesthetic process,hoping to analyze Sichuan and Chongqing dialect films from a new perspective,and also hoping that the relevant results of this paper can contribute to the relevant theories of art and aesthetic psychology. |