Through the specific practice process of painting creation,this paper studies the contingency occurrence point of water-soluble materials in painting creation and the embodiment of contingency in the technical level.This article will study the contingency in the process of practice,and explain how I use water-soluble materials in the practice of contingency painting creation.The practice is mainly studied by two ways: first,breaking away from the basic use method of water-soluble materials,and using the experimental work method temporarily generated in my creation process to do experiments on cloth,paper and other carriers,to study the contingency of water-soluble materials in painting creation.The second is to conduct contingency experiments with water-soluble materials and other comprehensive materials in different proportions and procedures to study the contingency that occurs when materials interact with each other.In practice,I broke away from the conventional use of water-soluble materials and only used water-soluble materials and other comprehensive materials as painting tools.Relying on intuition to combine water-soluble materials with comprehensive materials in an unconventional and illogical manner during the experimental process.When using water-soluble materials for painting creation,we should not indulge in the contingency painting language in painting creation.The essence of painting creation is not novelty hunting.I make judgments about the occasional use of water-soluble materials in practical research,and use all the painting language that appears in the picture appropriately.In combination with personal feelings,I apply different painting languages occurred on different carriers to my own creation speculatively,so that the contingency painting language obtained from the technical level can be sublimated in the painting works.The accidents that occur in the process of painting practice research can trigger my unique experience of painting language and open up more possibilities for painting creation.I self analyze the painting language that appears in the screen,and in this process,I search for suitable painting language to more accurately create works that match my inner emotions. |