A Study On New City Literature And Shenzhen Written Works

Focusing on the two themes of "New City literature" and "Shenzhen Writing",this paper briefly summarizes the development of Shenzhen literature,and analyzes the text from the aspects of character image and aesthetic style in Shenzhen classic literature,so as to sum up the creative ideas and methods of novel works.The main body of the text is divided into four parts.The first part is the introduction,which firstly clarifies the eclectic culture of Shenzhen,and at the same time is influenced by Guangdong culture and international culture.Secondly,it summarizes the development process of Shenzhen literature,which is labeled as "migrant worker literature" and "youth literature" at the beginning.Then,under the background of "Immigration Tide" and "Escape Tide",the writing of "Immigration Literature" with unique Shenzhen characteristics began.In the second part,through the analysis of the Shenzhen classic literary works written by Deng Yiguang,Xue Yi-wei,Liu Xihong and Liao Honglei,exploring the literary value and cultural connotation behind Shenzhen writing from the perspectives of "strangers" and "locals".The third part explores the artistic creation methods of Shenzhen novels by studying the works of Cai Dong and Xue Yiwei respectively from the two language styles of "classical temperament" and "modern temperament".In the fourth part,combined with theoretical research,oral history and the collection of anecdotal stories,the novel "No Spring in Liuxiandong" is created to cultivate the literary space of Shenzhen,a city of immigrants,and present the completely new imagination of the new generation of immigrants and the second generation of immigrants for Shenzhen,a rising mega-city.At the same time,the novel form of stream of consciousness is used to explore the inner world of individuals.Experiencing the warmth and cruelty of urban life,facing the common spiritual dilemma in the new urban stage with tenacity and courage.