Urban Writing In New Sensational Literature

Neo-sensationalism of the modernity and urbanity of the experiment and subj ect matter of pursuing novel form techniques ?is called "China's first modernist novel school".?The representative writers of this genre are Liu Ne'ou,lu Shiying,Shi Zhecun.?Lu Xun wrote in the postscript of"The Twelve":"We have Pavilion poets and Mountain poets,and flower poets,but no urban poets.”?Ancient Chinese literature is mostly the mainstream of homeland,the retreat of the landscape and the delicate and delicate feelings of the moon before the flower,the real touch of the urban theme is very few.Neo-sensationalism not only found a way to adapt to urban writing,but also went deeper into the city,experiencing and demonstrating the true connotation of the city,making "China not only have cities but also urban literature.”Neo-sensationalism writers manipulated the artistic techniques of "weird,new and strange" and painted a colorful urban cultural landscape.They took away from the "big" discourse of national enlightenment and turned to urban life,The "inner" world,with its unique modernity,demonstrates the anxiety and confusion caused by modern and traditional,conservative and modern,urban and rural conflicts in urbanites.Although these three writers differ in the value orientation of the creative path and creation,as a unified literary genre,they have the common characteristics of modernist creation.The study of urban writing has produced new growth points because of the shift in space research in the 1970s.When we set our sights on the Shanghai metropolis of"the encirclement of people" in the 1920s and 1930s,the urban culture of modern consumption not only created the emergence of modern citizens,but also the consumption of figurative commercial blocks,cinemas,department stores,etc.Space has also given birth to the transformation of its values and lifestyles.Shanghai first entered the world of neo-sensationalist Literature in the form of material modernity imagination.In the moment when "the desire has a self-evident legitimacy and unimpeded in writing"?,looking back at Shanghai,which was the first to open in the 1920s and 1930s,it is a mixed and flowing social and cultural atmosphere that provides enthusiasm for men and women in modern cities.The possibility of exerting has also contributed to the thinking of the new feelings about the modernity of sex.The field of sex has become the origin of the problems of the individuality,individual and family of urbanites.Although the Neo-sensationalism is known for describing the urban space of Colorful world,since the day of its birth,the contradiction between traditional culture and modernism,the native land and the city has been accompanied by it.In the writing,the "dominant"Shanghai city representing the modern civilization always has a"invisible" rural society representing the traditional agricultural civilization.The rural space often presents the pastoral sentiment and is regarded by the urban people as "The destination of the soul".Where it is,but with the intrusion of urban civilization,the despicable spirit of the traditional civilization itself is revealed,and the pastoral pastoralism has proved to be only an illusion.The modernity of the city is not only due to the modern architecture and appearance,but also to its inner modern spirit,which is mainly manifested by the behavior of people living in the city.Dedicated to the development of the new sense of the "modernity" in Shanghai in the 1920s and 1930s,it also focuses on recording the"now" experience of urban people under the pressure of modern society.They use modern people for the first time.Look at the people living in the city.If you are deeply influenced by urban civilization,and the abundance of "urban stuns" with sensual desires is the appearance of urban light and shadow,then those who have no "home"can return to the city's thick inner lining.This city's unique feeling drags every bustle.The people in the field "run out exhausted and finally collapsed on the way to the train."?Compared with Mu and Liu,Shi Zhecun turned his eyes to the rough house.The infinite emotions came from the strangers in the towns and villages,exploring their survival dilemma and spiritual confusion after arriving in the metropolis,and showing these strangers.The imbalance between the local consciousness and the sense of the city,and finally revealing the double“other”and“dissident”feelings in the "city of tomorrow" and "hometown of yesterday" is the true suppression of today's foreigners.status.In the new sense of urban writing,the observation of the living state and emotional experience of modern people in the process of urbanization directly reflects the writer's humanistic concern for modern people.Judging from the vision and influence of the new sensory faction in accepting modernism,it is more conducive to understanding the modern aesthetic character embodied in the new feelings.As an aesthetic concept and cultural style,decadent aesthetics abandons absolute affirmative art,and "negative passion" moves closer to aesthetic modernity.Decadalism presents relative characteristics in aesthetic characteristics:on the one hand,it is based on the concept of progress.The fascination of the material world presents"material depreciation";on the other hand,in the highly prosperous material satisfaction,it produces a sense of loss and alienation,and a negative emotion towards urban civilization,showing "spiritual decadentism".It is this kind of rich and confusing rather than a single pure aesthetic consciousness,aesthetic emotion,value judgment,which makes the neo-sensationalism writers present a modern literary aesthetic character when accepting and finally transforming into novel creation.Decadence aesthetics pursues a "meaningful form",paying attention to the"sense "life sentiment,starting from the negative dimension,facing the dark and true side of human nature and life,and the modern quality of depression,pain,mystery,and chance.Performance not only enriches the content of modern aesthetics,but also provides inspiration for the modern transformation of aesthetics of the new sense.This thesis is based on the meticulous interpretation of the new sensory narrative texts,from the creation of modern multi-city urban space,the modern repression of urban characterization and the use of decadent modern aesthetic art,trying to return to the new sensory literature.On the spot,through the dual observation of urban landscape and urban life,the complex subtle relationship between man and city is analyzed,in order to have a more comprehensive and in-depth discussion on the rich connotation and modern aesthetic consciousness of the new sensory urban writing.