A Study Of Late Ming Dynasty Poetic Discourse In A Hermeneutical Perspective

From the perspective of hermeneutics,the poetic discourse of the late Ming dynasty is viewed and the whole logical process of the development of hermeneutics is presented on the basis of the analysis of famous poetic discourses,including the occurrence,purpose,strategy and effect of hermeneutics.The poetry discussion in The Art Garden Fetching Yu emphasizes the "changes of the past and the present",while The Poetry Yard also emphasizes the relationship between poetic style and world movement and divides the poetic style by the wind of the times,so that the Ming dynasty people showed the historical nature of understanding in the practice of interpreting poetry "with the changes of the world".At the same time,the poem "can be interpreted,cannot be interpreted,and do not need to be interpreted" as proposed in Si Ming dynasty Poetic Discourse shows the finite and infinite nature of interpretation,and it is in the historical nature of understanding,the distance and space between finite and infinite,that interpretation generates meaning and unfolds.The historical nature of understanding indicates the subjective nature of interpretation,and the Ming practice of "changing the poem" reflects that the interpreter generates a new self on the basis of "self-understanding",thus moving toward the "self-shaping The purpose of interpreting poetry is to create a new self based on "self-understanding" and thus to"self-shape".The "self-acceptance" interpretation of the poems in "The Goblet of Art"gives the interpreter and the reader the space to freely interpret and accept the poems,which is also a manifestation of the principle of interpreting the poems according to the wisdom of the reader.The "Four Minds of Poetry","Nurture the true and enlighten the subtle","Read the poem with a straightforward intention" and "The Goblet of Art","Read the poem in its actual context",together reflect the Ming’s method of interpreting the poem in an embodied way.Then the final interpretation effect is precisely in the "Four Minute Poetry" which advocates that poetry is "wonderful in ambiguity" and "poetry is made by the rise" and the "General Theory of Poetic Realm" which emphasizes that "the true interest of poetry is between similarity".In"The Law is like the Law",poetry is realized in the transcendence and dissolution of words,images,and meanings,and underneath the transcendence and dissolution is the difference and creativity of readers’ acceptance.The introductory section analyzes the rationality and feasibility of the study of poetic discourse in the hermeneutical perspective,and divides the poetic discourse of the Ming Dynasty into the early and late periods.Because of the large number of Ming poetic discourses and the richness of poetic ideas,dividing them into two periods can clearly show the poetic ideas and characteristics of poetic discourses in different periods.On this basis,the hermeneutic study of poetic discourse in the late Ming dynasty is the main purpose of this paper.In the first chapter,the poetic background of poetic discourse in the late Ming Dynasty is analyzed.Through combing the theoretical thoughts and representative poetic views of the late Ming dynasty on the poetics of retro and spirituality,this paper will show that the poetic discourse of the late Ming dynasty was a blend of "style" and "spirituality","teacher of the ancient" and "teacher of the heart".The poetical characteristics of the late Ming Dynasty poetic discourse,in which "style" and "spirituality",and "the ancient" and "the heart of the teacher" converged,are presented.It also explores the inheritance and new changes of the poetic thought of the late Ming poetic discourse to the earlier poetic discourse in a specific social and cultural environment.The second chapter explores the occurrence of interpretation.Ontology suggests that understanding is the way of human existence,but the occurrence of interpretation goes beyond that.The poets of the Ming dynasty who viewed,discussed,and interpreted poetry in poetic discourse by means of "changes" show that they attached importance to changes in historical contexts and complied with the historicity of understanding,among which the display of historicity in the distance of interpretation indicates the possibility and rationality of the generation of meaning in interpretation.At the same time,the poets’ discourses and expositions on the interpretation and non-interpretation of poems,the interpretable and non-interpretable,show the finite and infinite nature of interpretation,and the act of interpretation unfolds precisely under the tension between the finite and infinite nature in the interpretative space.These together show the reasons and processes of hermeneutics occurring.The third chapter explores the purpose and strategy of interpretation.The causes and processes of interpretation reflect the Ming dynasty people’s subjective understanding and interpretation,on the basis of which the purpose of interpretation is to express one’s own emotions and intentions.In the practice of interpreting "changing poetry",the ultimate goal of interpreting poetry from "self-understanding" to "self-shaping" is demonstrated.Under this purpose is the manifestation of diverse and experiential interpretation strategies,including the principle of "self-acquisition",which reflects the wisdom of the people,and "cultivation of understanding" and "familiarity with reading",which show the comprehension style of The fourth chapter explores the interpretation strategies.The fourth chapter explores the effects of interpretation.The purpose and strategy of interpretation indicate the interpreter’s suspicion of the original meaning of the poem and the language,and the meaning of the poem is realized by the poet and the reader in the mediation of the past and the present,while the limited language cannot express the infinite meaning.Therefore,the Ming’s pursuit of poetry’s "ambiguity" and the discernment of poetic theories such as "cut and uncut" and "law and lawlessness" reflect the ultimate goal of transcending and dissolving poetry’s words,images,and meanings.The effect of transcendence and dissolution of poetry.The effect of transcendental and disintegrative poetic interpretation empowers the readers to freely understand and accept the poems,showing the difference and creativity of readers’ acceptance.The fifth chapter summarizes the general characteristics of poetic interpretation in the late Ming Dynasty.The Ming’s pursuit of the "water,moon,and mirror" text was a precious "imagery",emphasizing the "poetry of the unintentional" and "poetry of the wind and the people"."Such a poetic text prescribes the interpretation path of"heart interpretation" and "emotion interpretation".At the same time,the pursuit of"love," "taste," and "interest" in Ming dynasty poetry interpretation and the whole process of development of interpretation show that the poetic discourse of the late Ming dynasty was "still love" and "still taste.","taste",and "interest" in the late Ming Dynasty,which is characterized by subjective interpretation centered on the comprehenders.