| The image of "window" often appears in many paintings at home and abroad.These "Windows"appear in the picture either as local images,or as the main image or even as an independent image.The visual perception characteristics of "window" are similar to the performance of painting,which is consistent with the artists’ creative intention.The National Fine Arts Exhibition(hereinafter referred to as the National Fine Arts Exhibition),as a platform for the collection of fine arts of various categories since the founding of New China,is one of the most influential and authoritative national fine arts activities with the largest number of participants,the longest duration,the largest scale,so far.This paper combs and summarizes the "Windows" in the oil paintings in the national art Exhibition,hoping to study the unique value and artistic charm of the "Windows" in oil paintings from their performance.Specifically,this paper is divided into three chapters to discuss:the first part,the general situation of the window in oil painting from the extension of space and metaphorical two perspectives,from the reflection of the mood of the characters in the painting and reflect the painter ’s inner emotion analysis of the metaphorical role of the window.In the second part,combined with the oil painting creation practice of "window" in the 8th to 13th National Art Exhibitions,from the aspects of window as point,line and surface,the diversification of form,etc.,the paper analyzes the diversified expression of "window" in their paintings and finds the unique aesthetic significance of "window" in Chinese oil painting.In the third part,the expression rules of window in oil painting works of national art exhibition are obtained by combing and elaborating above,and its various values are further expounded.Then,the process of thinking and practice of "window series paintings is expounded from the aspects of creation conception,picture composition and space expression in works centering on personal graduation creation.And make a summary and reflection on the problems in practice.This paper is not only a theoretical study of the expression form of "window" in painting works,but also a carding of the thoughts of personal art practice. |