Lu Chen’s "Ink Composition" Concept And Personal Practice Exploration

In the 1980 s,the development of Chinese ink painting was influenced by both Western modern painting and the ’85th Five-Year Plan’,and ink figure painting,as an important part of Chinese ink painting,was inevitably influenced by it.At the time,people’s demands for subject matter and character representation had changed,which meant that traditional painting techniques alone could no longer fully satisfy the demand for the presentation of new things.Moreover,the mentality and aesthetic concepts of modern people were constantly changing,and traditional methods of expression were no longer able to meet the needs of modern people.Many artists have begun to reconceptualise and actively explore its modernisation,searching for a modern language of ink figure painting to solve these problems.Lu Chen played a pivotal role in the modernisation of ink figure painting,as he was influenced by Western modern art and his borrowing of Western aesthetic theory,coupled with the accumulation of many years of creative work,which led him to develop a creative philosophy in line with the development of the times,and on this basis he proposed the concept of ’ink composition’,creating a number of works with a modern He created a number of works with a modern language of ink and wash figure painting at the time.His long-term artistic exploration and practice in the language of ink figure painting has been crucial in promoting the modernisation and development of ink figure painting.The first chapter gives an overview of the concept of "ink composition",and through an analysis of the formation of the concept of "ink composition",it systematically explores Lu Chen’s artistic history at this stage,summarizes the main artistic concepts of Lu Chen at this stage By summarising the basic content of "ink composition",the course explains the difference between Chinese "ink By summarising the basic elements of "ink composition",the course elaborates on the fusion of Chinese "ink" and Western "composition",and then summarises the eight basic elements of "ink composition".The second chapter discusses the use of "ink composition" in Lu Chen’s teaching and creation,analyses and summarises the inheritance and innovation of Lu Chen’s teaching at this stage,and selects representative works of Lu Chen from this stage for analysis,and explores Lu Chen’s philosophy at this stage according to the appearance of his works.The third chapter discusses the influence of "ink composition" in contemporary ink figure painting,expounding on the relevance of "ink composition" and pointing out that this exploration and innovation has not only influenced contemporary painters,but has also had a profound impact on the creation of contemporary ink figure painting.Chapter Four The fourth chapter discusses the inspiration brought to the author by "ink composition",so that the author can draw on the concept of "ink composition" in his artistic creation,and then realise the integration of "ink composition" with his own practice.The fourth chapter discusses the influence of "ink composition" on the author’s artistic creation.