The A Study On The Localization Of Sha Qi’s Late Oil Painting Language

Sha Qi,formerly known as Sha Xianchang,is a unique presence in the history of Chinese oil painting.His life has been marked by numerous ups and downs,but equally marked by numerous glories.In his article,Mr Shui Zhongtian,a renowned art critic in China,writes: "In the history of Chinese painting in the 20 th century,there exists a group of ’obscured’ painters.The ’discovery’ and study of them has just begun." Sha Qi is one of these ’obscured’ artists,who is a valuable asset.In his painting course of more than half a century,he never stopped exploring the integration of China and the West,and finally realized the transformation of localization in his oil paintings.Sha Qi draws inspiration from western modern plastic art,integrates with the aesthetic taste of traditional Chinese painting,takes local figures and landscapes as the main objects of expression,and finally creates works that integrate Chinese and Western culture.In the works of the late age of Again,which have changed to the localization,a strong expressive style is reflected.The subjective consciousness of individuals has taken the dominant position,and the paintings have become the emotional and spiritual sustenance.The objective objects in the painting cast his life experience and inner emotions,and he used purified and straightforward artistic language to show them.He has already broken away from the imprisonment of the early Impressionist painting style,and gradually found his own painting direction in the painting brushstrokes,colors,modeling and other forms of expression,and painted a number of oil paintings with very personal style and characteristics.Promoted the process of Chinese oil painting localization.`The rough life and the ten years of experience in Sha Qi’s early years made his painting style change in many stages.Its stage is divided into the beginning of art,art development,art silence,art peak.This article mainly selects the late works of sand sage after 1980 s as the main object of analysis,and will explore the characteristics and reasons of localization transformation in the art language of sand sage oil painting in the late period from four parts.The first part(introduction)expounds the research purpose,value,status quo,research ideas and innovation of this thesis;The second part(the first chapter)is to introduce the meaning of localization and the life of astragalus;The third part(the second and third chapters)is the research focus of this thesis.Taking the late works of Sha Qi as an example,it analyzes the characteristics of the localization transformation in his late oil painting language from the four aspects of brushwork,color,"local complex" and painting modeling,and finally summarizes the thought of Sha Qi’s integration of Chinese and Western.The fourth part(the fourth chapter)discusses the enlightenment of the transformation of the localization of the oil painting art language in the late period of the sage.