On The Phenomenon Of “Theintegration Of Chinese And Western Painting” Based On Wang Yachen Experience

In the early years of the 20 th century.Due to the impact of the war and the invasion of western culture and the Interlacing and collision of the art thought in Chinese and Western, It appeared in a number of painters who is good at both Chinese and Western art..So the transformation of Chinese painting is imperative.Their Western works which conveys the unique charm are filled with the taste of the integration of things. Because of the change of social environment and the law of art itself, the form in the Integration of Chinese and Western painting unconsciously become the main line of painting in the Republic of China eraThe emphasis of this paper is the phenomenon of the integration of Chinese painting in the Republic of China era. Firstly, through the research on The road of Art of Wang Ya chen. A China’s art painter in the period of the Republic of China era and the integration of Chinese painting thought, The purpose is to understand the background of the times and the characteristics of the painting which are born from liberating this thought Then rethinking this art phenomenon and revealing the important function of the integration of Chinese painting thought during the period of the Republic of China in painting transformation, innovation in painting, art education and other aspects through to do the analysis and inquiry of Art Exhibition,associations, schools of the modern type in the Republic of China’s big social environment Through such an angle, the author makes the public know the attempt and efforts what the artists did on the road of the integration of Chinese and Western painting. They are constantly looking for the “self” and respecting for the "others" in the attempt to get out of a road which is filled with the oriental charm of the arts. The change of the painting form not only shows the artist’s perception and conformity to the foreign art, but also determines the future development of modern art.In the author’s opinion, Wang Ya chen is a double study status of the artist As a extremely important Chinese modern art painter, the painting teaching practiceexperience and artistic expressive force and its artistic and cultural effect which have not get proper academic conclusion. Due to his premature departure from domestic academic vision, Due to the stirring forgotten, I hope that through the writing of this paper to let the public understand the contribution what western painters during the period of the Republic of China do for the revitalization of the national painting Tries to analyze the phenomenon of the integration of Chinese painting by Wang Yachen, in order to show another kind of thinking in the painting and mine the little-known side.It is hoped that this study can find some reference and clue for the research and development of modern painting history.