Research On Jian'an's Odes To Thing

Chanting objects is a relatively common category in Fu style literature,which includes both works with simple objects and works that express inner emotions through borrowing objects.During the Jian’an period,Yongwu Fu developed rapidly.At this time,the number of Yongwu Fu increased,and there were breakthroughs in describing objects,expressing emotions,and artistic techniques compared to the Eastern Han Dynasty.The creation of Yongwu Fu during this period mainly came from the literati group of Cao Wei.The entry of foreign species enriched the creative objects and stimulated the enthusiasm for creation.The characteristics of the group led to the emergence of a large number of Yongwu Fu with the same topic during the Jian’an period,promoting the development of Yongwu Fu with the same topic in later generations.This article takes the Yongwu Fu during the Jian’an period as the research object,and studies its creative background,object classification,ideological connotation,artistic characteristics,and its impact on later Yongwu Fu.The full text consists of an introduction and five chapters.The first chapter discusses the social background,cultural policies,and changes in literati thinking during the Jian’an period.The gradual decline of the Eastern Han Dynasty regime prompted the awakening of literati ’thoughts,the prevalence of literary criticism promoted literary creation,and the open cultural policy promoted the development of ode to objects.The second chapter classifies and interprets the descriptive objects of Yongwu Fu during the Jian’an period.Specifically divided into three categories:animals,plants,and artifacts,explain the species that first appeared in the ode to objects.Through the introduction of the objects described in the Yongwu Fu during the Jian’an period,it can be seen that the scope of the subject matter in the Yongwu Fu during the Jian’an period has expanded and the objects of description are broad.The third chapter discusses the ideological connotation of Yongwu Fu during the Jian’an period.Through the analysis of specific works,this article analyzes the reasons for the attachment and attendant ideology,the awakening of literati’s life,and the emergence of game and entertainment mentality in Jian’an Yongwu Fu.The fourth chapter analyzes the artistic characteristics of Yongwu Fu during the Jian’an period.The Yongwu Fu during the Jian’an period inherits and undergoes new changes in art from the Yongwu Fu of the Eastern Han Dynasty.The prominent artistic features of Yongwu Fu during this period include the extensive use of Fu preface,unique expression methods,and a return to the language form of Sao style.Chapter 5 discusses the influence of Yongwu Fu during the Jian’an period on later generations.Firstly,from an emotional perspective,explain the impact of the lyricism of the Jian’an period’s ode to objects on the later generations’ ode to objects;Secondly,starting from the characteristics of the same topic in Jian’an Yongwu Fu,this article explains the impact of Jian’an Yongwu Fu on later generations’ Yongwu Fu.In summary,during the Jian’an period,Yongwu Fu achieved outstanding achievements in terms of ideological connotation and artistic characteristics.Although it was in the transitional stage of its development,it had a significant impact on the development of Yongwu Fu in later generations.