Exploration And Practice Of The Technique Of Melting Water With Loose Brush

Chinese painting art embodies the wisdom and fine tradition of the Chinese nation.With the continuous progress and development of The Times,Chinese painting art is also renewing and breaking through on the basis of traditional culture.The influence and integration of different cultural ideas is of course very important,but the study and continuous improvement of painting techniques has become a key link that can not be ignored in the development of art.The diversity of contemporary Chinese painting provides a broader space and possibility for the study of traditional brush and ink techniques.Through the in-depth study and study of traditional techniques,combined with a large number of sketching practice and pen and ink experiment,the author has gained some experience and understanding of the form elements,pen and ink methods and individual characteristics of painting.The first chapter of this paper traces the traces of the expression of the Loose brush in the category of traditional Chinese painting,and expounds the chapping,chapping and Chapping with the meaning of the loose brush,as well as the application of the style of the loose brush by two highly accomplished artists,Fu Baoshi and Li Wenxin.The second chapter,taking freehand figure painter Liang Kai and contemporary landscape painter Du Yingqiang as examples,focuses on the presentation of "water" in paintings.The third chapter,taking the author’s work "After rain,Dip in ancient Cypresses" as an example,introduces in detail the author’s process from learning copying,exploration and discovery to experimental innovation in the postgraduate stage,as well as the perception and experience gained from it through four sections.The first section discusses the creative experience of "Rain after rain dip among the ancient cypresses";The second section is the study and expansion of traditional brushwork and the extraction and generalization of natural forms.This part is the experimental process and results of brushwork.The third section explains how to expand the independent function and aesthetic effect of "water";Finally,how to combine the two techniques of loose brush and melt water to make it a personalized ink language is explained.The fourth chapter,based on the results of the existing brush and ink experiments,deeply analyzes the form characteristics of the technique of free brush and ink melting,and how the author obtains enlightenment from nature,follows the guidance of inner feelings,and explores the presentation of personalized brush and ink.The author under the help and guidance of a mentor in combination with the pen and ink techniques research of fellow masters,connect to observe in the nature,through the master painting materials such as pen,ink,water features,and cooperate with each other in a large number of experiments and summarizes the innovation out of the bulk melt techniques,scattered pen melt method is my three years graduate student studying on the traditional painting,constantly updated cognitive consciousness as a result,And applied in the practice of art,in the form of works to show the research results.In addition,the paper discusses in detail the practical application and aesthetic significance of the technique of melting water in the experimental expression of my artistic creation,in order to provide new ideas for related research.