A Study On The Brush Method Of Flower And Bird Painting In Yuan Dynasty

This article summarizes the well-documented works on the writings of the Chinese paintings,which primarily based on the analysis of the classical Chinese paintings and combining the classic painting style and characteristics in the Yuan Dynasty.Therefore,this paper further reveals how the Yuan Dynasty,as a vital period in the history of flower and bird painting,was written by work,and the pen was truly liberated into an independent aesthetic element.Based on this,the freehand ink paintings that showed pen and dripping ink were constructed.The artists in the Yuan Dynasty are more focused on the skills of paintings rather than pursuing the similarities in form,and their paintings are artistically depicted to be both real and unreal.When you see the element,you can write in simple pen and ink.Yuan uses pens to be more refined,unrestrained,and free to change.The same is true for the ink color.The composition is also quite flat,unlike Song’s careful management of the pen skills.The overall style is more extensive and free than that in Song Dynasty.It is not only caused by the artistic atmosphere in the Yuan Dynasty but also due to it inherits and learn advantages from Tang and Song dynasties,which final forms the school that aesthetic emphasis on ink rhyming but not limits on perusing the form resemblance as the ultimate goal of painting.The pursuit of interest and vividness are the characteristics of the Yuan Dynasty flower and bird brush method.