Synthesis Of Landscape—Chongqing Foreigner Street Under Aesthetic Change

When people talk about the trend of thought of contemporary art,the theme of landscape is unavoidable.Especially at present,we live in the landscape society created for us by capital.A large number of theoretical studies and artistic creations have taken this as the theme and expressed it.Here,through investigation and research,the author puts forward the concept of "synthetic landscape" to express the rough and mixed landscape reconstruction in the development and production process of domestic landscape in order to meet the aesthetic taste of consumers.From the aesthetic point of view,this paper analyzes the reasons for the emergence of synthetic landscape in order to cater to consumers after the transformation of consumers’ aesthetic needs.Taking chongqing Meixin Foreigners Street amusement park as an example,this paper makes a detailed investigation and analysis of its specific artistic phenomenon.Criticize that when the commercial era comes,capital becomes an important maker of changing the landscape of the era;In the process of the transformation from the formation of synthetic space to the rapid disappearance,the dilemma and problems of Chinese society in the great changes of The Times.And the successful case analysis,comparison,to explore the possibility of getting out of the predicament.Art,as a prism reflecting The Times,is a voice.From different angles,it reflects the scars of contemporary Chinese society in the process of landscape consumption carnival.At the same time,it also gives out its own voice.Therefore,this paper makes a detailed analysis of some artistic creations with landscape themes from the perspectives of art sociology,iconology and semiotics.It tries to explain the reflection and attitude of art towards this phenomenon in the present Chinese society,which is full of landscape illusion.At the same time,it is also hoped that the study of different creation techniques and viewing angles with landscape as the theme can provide some reference for the later artistic creation practice.This paper mainly consists of six chapters:In the first chapter,the concept of landscape society and synthetic landscape is defined to pave the way for this study.Secondly,from the perspective of landscape,we have entered an era of making spectacle and causing spectacle consumption.And as the media changed,we became more and more addicted to it until we were overwhelmed by it.In addition,the research status of landscape society at home and abroad is sorted out to clarify the different views of landscape society in different periods,different countries and different perspectives at home and abroad.Finally,this paper describes the overall research ideas and methods as well as the origin and significance of the research.Chapter two,from the perspective of aesthetic change of Chinese people,expounds that the change of aesthetic change leads to the change of consumers’ consumption behavior.With the brainwashing of media,people’s view of landscape consumption becomes more pursuit of novelty brought by visual stimulation;At the same time,capital responds in a fast,cheap and malformed way in pursuit of profits;Hence the phenomenon of synthetic landscapes.Secondly,it describes the present situation and distribution of synthetic landscape in China.Firstly,under the background of poorly constructed synthetic landscape,landscape consumption is a flash in the pan,and a lot of waste of resources and landscape ruins are brought by the disappearance after experiencing its short consumption spree.Have a profound and lasting impact on the development of society.The third chapter analyzes the landscape manufacturing and landscape change of Chongqing Foreigner Street in detail.Firstly,the changes of its landscape are introduced.It describes the phenomenon of synthetic landscape in the park,which blends various countries,periods and styles into one space.From the perspective of consumption and aesthetic demand,the landscape in Foreigner Street park also changes in the face of consumers’ different aesthetic demands,so as to achieve the purpose of responding to consumption.Until the park finally can not meet the aesthetic needs of consumers,to disappear.And it will have a profound and lasting impact on the people who make their living and the industries associated with it.Under the background of the rise of consumer culture and rapid economic development,people’s living standards are greatly improved,and the public’s consumption demand for spiritual and cultural products is also growing.But this kind of fast,blind consumption is a kind of irrational consumption;When the trend of following the trend of consumption becomes more and more intense,the capital produces a large number of synthetic landscape products to attract consumers in order to better meet the needs of consumers and follow the fashion trend of the market.Finally,a brief analysis of successful cases is made to try to find out the possibility of landscape making difficulties.The fourth chapter,taking landscape as the theme,combines the image art creation of contemporary artists such as Jia Zhangke,Jennifer Blanchett,Yan Ming,Zhang Xiao and Edward Burtynsky.View the reality of landscape in the consumer society from the perspective of art.When they refocus their cameras on the world we take for granted,one side of reality reflects reality;At the same time,he criticizes the current predicament with the voice of art,telling the public the influence and harm caused to our present situation by the huge landscape manufacturing,accumulation and change.The fifth chapter is an introduction to my past works.Secondly,taking the wilderness landscape of Meixin Foreigner Street in Chongqing as the theme,I finished the creation of "Wilderness Paradise" to express my criticism of the current situation of massive landscape synthesis.The creation adopts surrealism in style,collages and combines the existing landscape in chongqing Meixin Foreigners Street abandoned park and the wandering people in it with the tourists taken by the author in the tourist attractions.On the other hand,this is also a kind of contrast,with the lively crowd and desolate landscape ruins formed a contrast,expressed under the appearance of prosperity,is a ridiculous and desolate scene.Chapter six,conclusion.