| "Sadness" is an eternal theme in literary works,while Guzheng is adept at depicting scenery and expressing emotions.Zheng music creation uses this to spread music ideas and achieve movements.Fully express the "beauty of masculinity" and "beauty of softness" in Chinese aesthetics through music.This article focuses on three tragic themed Zheng music works,"Peacock Flies Southeast","King of Western Chu",and "Lin’an Regret",and conducts research from the characteristics,aesthetic implications,creative techniques,and interpretation of the music works.This article is divided into four parts.The first chapter elaborates on the connection between "sadness" and literature,aesthetics,and music.The embodiment of "sadness" from literature to music is expression,and briefly discusses the long history of "emotion" in literary and artistic works;Chapter 2 elaborates on the inseparable relationship between sadness and the theme of Zheng music from the perspectives of creative materials,work themes,and aesthetic expression,and briefly introduces the representative figures and successful works of contemporary sadness themes.In Chapter 3,a specific analysis is conducted on the three tragic themed Zheng music works from the perspectives of their background,characteristics,musical form,and aesthetic features.In Chapter 4,the mastery and artistic expression of the three works are explained from the structure and layout of the works,as well as the performers’ inner experiences.Through the analysis and interpretation of three Zheng music works,this article ultimately reflects the close connection between Zheng music and classical literature.These Zheng music works created from classical literature,with the butterfly changes in different historical periods and the tempering of different life processes,showcase and reveal the unique and enduring artistic vitality of life,the value of life,and social development.In the tragic theme of Zheng music works,Showing the artistic charm of tragic sublimity. |
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