An Analysis Of The Music Characteristics And Performance Techniques Of The Zheng “Performers”

Guzheng this instrument,has a long history,more than three thousand years,in recent years,with the development of guzheng art,composers are no longer constrained to the traditional five mode tuning,began to draw lessons from western composing techniques of "manual mode",and combined with the mode of different region style,such as the western mode,etc.,the different styles of music elements and mutual fusion of guzheng art,make the guzheng art entered a new stage of vigorous development.Zheng song "the walker" was written in 2015 by Mr.Wei jun,professor of the department of folk music of xi ’an conservatory of music.It is a guzheng concerto composed by xi ’an drum music "introduction of brahman" and qiuci music materials.There are two versions of zheng and symphony,zheng and piano.Works in the use of modern composition techniques at the same time,retain the traditional guzheng performance techniques,the author through analyzing many aspects of this piece of music,to solve the "walker" possible problems in the practical performance,and put forward to solve the problem of theory and practice basis,through the theoretical research to guide practice,to provide theoretical reference for players,so as to deepen the understanding of the music players,and improve the level of play.This paper will elaborate through three important parts: the first part is the analysis of music ontology;The second part is the analysis of musical characteristics in the music;The third part analyzes the ontological structure and playing techniques of the music.