A Study On The Narrative Strategies Of Humanities Documentaries With Traditional Chinese Opera Themes

In the era of intelligent media,media contact has become more convenient,entertainment methods have shown a diversified trend,and people’s pace of life is becoming faster and faster.New media is seizing and squeezing the audience’s time,and the transmission of content is based on fragments.Traditional culture has been neglected as never before,and local traditional opera is also facing the risk of being lost.Protection and inheritance have become extremely urgent.The purpose of this study is to build a feasible bridge between traditional Chinese opera culture and communication media,enabling traditional Chinese opera culture to continue and regain popularity through new carriers.Huaihai Opera is an important intangible cultural heritage in China,a form of opera with profound cultural accumulation and rich artistic connotations.With the development of the times,the once popular Huaihai Opera is facing the dilemma of channel failure in the context of diversified entertainment methods.Currently,there are few visual representations of Huaihai Opera,and the significance of this study lies in creating images for the survival of Huaihai Opera.This study takes the graduation work "People in Huaihai Opera " as an example,based on the relevant concepts of traditional Chinese opera themed documentaries,combined with the theories of communication and narrative studies,to sort out the historical context of traditional Chinese opera themed documentaries,reveal the barren environment of local traditional Chinese opera culture,explore the reasons for the blocked dissemination of traditional Chinese opera documentaries,and explore the development path of traditional Chinese opera documentaries in the new era.