On The Influence Of Calligraphy In The Prosperous Tang Dynasty On Su Sh

The calligraphy of the Tang dynasty was divided into three periods: the early Tang dynasty,the Middle Tang dynasty and the late Tang dynasty.In the Middle Tang dynasty,Li Yong,Xu Hao and Yan Zhenqing had a great influence on the calligraphy of the Song dynasty.Under the influence of the calligraphers of the mid-tang dynasty,Su Shi,the representative calligrapher of the Song Dynasty,developed new ideas on techniques and calligraphic thoughts,thus developing the Style of “the precailing of yi” of calligraphy in the Song dynasty.Based on the analysis of Su Shi’s writing style,calligraphy and composition,this paper first explores the relationship between Su Shi and Li Yong,and presents a “Low left,high right” attitude in his works,second,Su Shi’s use of the pen is thick and steady,but it does not lose its dexterity,which is greatly influenced by HSU Ho-shu,all expressed the similar charm with Yan Shu,and got the beauty of masculinity.On the basis of inheriting his predecessors,Su Shi sought new ideas,and his pen was full and his body was flat and fat.Su Shi’s calligraphy thought is divided into three aspects: first,the acceptance of the Wei and Jin calligraphers,advocating the Jin people’s laws and regulations,and the spirit and charm;second,the worship of “Yi”,which is also the core of Su Shi’s thought,it laid a foundation for the development of the calligraphy style of“Advocating the idea” in Song dynasty,and once again,the plain aesthetic thought of Jane.Finally,under the guidance of Su Shi’s “the precailing of yi”style of writing,the author ponders the development of his own calligraphy on copying,creation and theoretical study,and adopts and innovates the techniques of Su Shi.